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Devising and collective organization in the San Francisco mime troupe's history
(University of Missouri--Columbia, 2015)
The evolution of the collective structure and use of devising in the San Francisco Mime Troupe's history are intertwined with one another. In order to understand this relationship, and discover what it might contribute to ...
Bodily difference, interdependence, and toxic half-lives : representations of disability in D.W. Gregorys Dirty Pictures, The Good Daughter, and Radium Girls
(University of Missouri--Columbia, 2015)
People with disabilities have been a part of theatre for thousands of years. But typically they are represented as metaphors, where blindness or a limp symbolizes something about their character and has nothing to do with ...
From Stonewall to millennium : Lesbian representation in three representative Late 20th-century plays by American women.
(University of Missouri--Columbia, 2015)
From Stonewall to Millennium: Lesbian Representation in Three Late 20th-Century Plays by American Women explores the relationship between the lived experiences of LGBT people (especially lesbians and bisexual women) and ...
No crown without the cross : the formation, existence, and disappearance of the Catholic Stage Guild of Ireland
(University of Missouri--Columbia, 2015)
[ACCCSS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] In December 1948, an article by Seamus Brady in The Manitoba Ensign claimed, "[The Catholic Stage Guild of Ireland] has branches in every city in ...
Cover (a play about trafficking) the power of creating performative auto/ethnographies in a theatre community
(University of Missouri--Columbia, 2015)
The greatest trick the Devil ever pulled was convincing the world he didn't exist. This idea that the devil (or depravity) is sly enough to make us believe it doesn't exist comes rushing forward up to this moment. I connect ...