Oral tradition, volume 24, number 2 (October 2009) - Sound Effects
Table of Contents
- Cover
- Front Matter
- Editor's Column
- About the Authors (Back Matter)
- Articles
-
Sound Effects: The Oral/Aural Dimensions of Literature in English Introduction
by Chris Jones, Neil Rhodes -
The Word Made Flesh: Christianity and Oral Culture in Anglo-Saxon Verse
by Andy Orchard -
The Trumpet and the Wolf: Noises of Battle in Old English Poetry
by Alice Jorgensen -
Mulcaster's Tyrant Sound
by John Wesley -
Shakespeare's Sound Government: Sound Defects, Polyglot Sounds, and Sounding Out
by Patricia Parker -
On Speech, Print, and New Media: Thomas Nashe and Marshall McLuhan
by Neil Rhodes -
James Macpherson's Ossian Poems, Oral Traditions, and the Invention of Voice
by James Mulholland -
Theorizing Orality and Performance in Literary Anecdote and History: Boswell's Diaries
by Dianne Dugaw -
Written Composition and (Mem)oral Decomposition: The Case of "The Suffolk Tragedy"
by Tom Pettitt -
Sites of Sound
by Bruce Johnson -
Joyce's Noises
by Derek Attridge -
Where Now the Harp? Listening for the Sounds of Old English Verse, from Beowulf to the Twentieth Century
by Chris Jones -
Sounding Out Homer: Christopher Logue's Acoustic Homer
by Emily Greenwood
[Collection created May 30, 2018]
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Mulcaster's tyrant sound
(2009-10) -
Editor's column (Oral Tradition, 24/2, 2009)
(2009-10) -
Front matter (Oral Tradition, 24/2, 2009)
(2009-10) -
About the authors (Oral Tradition, 24/2, 2009)
(2009-10) -
Joyce's noises
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Sites of sound
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Cover (Oral Tradition, 24/2, 2009)
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