Table of Contents

  • Cover
  • Front Matter
  • Editor's Column
  • About the Authors (Back Matter)
  • Articles
    • Sound Effects: The Oral/Aural Dimensions of Literature in English Introduction
      by Chris Jones, Neil Rhodes
    • The Word Made Flesh: Christianity and Oral Culture in Anglo-Saxon Verse
      by Andy Orchard
    • The Trumpet and the Wolf: Noises of Battle in Old English Poetry
      by Alice Jorgensen
    • Mulcaster's Tyrant Sound
      by John Wesley
    • Shakespeare's Sound Government: Sound Defects, Polyglot Sounds, and Sounding Out
      by Patricia Parker
    • On Speech, Print, and New Media: Thomas Nashe and Marshall McLuhan
      by Neil Rhodes
    • James Macpherson's Ossian Poems, Oral Traditions, and the Invention of Voice
      by James Mulholland
    • Theorizing Orality and Performance in Literary Anecdote and History: Boswell's Diaries
      by Dianne Dugaw
    • Written Composition and (Mem)oral Decomposition: The Case of "The Suffolk Tragedy"
      by Tom Pettitt
    • Sites of Sound
      by Bruce Johnson
    • Joyce's Noises
      by Derek Attridge
    • Where Now the Harp? Listening for the Sounds of Old English Verse, from Beowulf to the Twentieth Century
      by Chris Jones
    • Sounding Out Homer: Christopher Logue's Acoustic Homer
      by Emily Greenwood

[Collection created May 30, 2018]

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