Oral tradition, volume 20, number 2 (October 2005) - Performance Literature (2)
Table of Contents
- Cover
- Front Matter
- Editor's Column
- About the Authors (Back Matter)
- Articles
-
The How of Literature
by Ruth Finnegan -
The Culture of Play: Kabuki and the Production of Texts
by Andrew Gerstle -
Performance, Visuality, and Textuality: The Case of Japanese Poetry
by Haruo Shirane -
From Oral Performance to Paper-Text to Cyber-Edition
by John Miles Foley -
Text and Performance in Africa
by Karen Barber -
On the Concept of "Definitive Text" in Somali Poetry
by Martin Orwin -
My Mother Has a Television, Does Yours? Transformation and Secularization in an Ewe Funeral Drum Tradition
by James Burns -
The Many Shapes of Medieval Chinese Plays: How Texts Are Transformed to Meet the Needs of Actors, Spectators, Censors, and Readers
by Wilt Idema -
Textual Representations of the Sixteenth-Century Chinese Drama Yuzan ji (The Jade Hairpin)
by Andrew Lo
[Collection created May 30, 2018]
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Text and performance in Africa
(2005-10) -
The how of literature
(2005-10) -
Front matter (Oral Tradition, 20/2, 2005)
(2005-10) -
About the authors (Oral Tradition, 20/2, 2005)
(2005-10) -
Cover (Oral Tradition, 20/2, 2005)
(2005-10)