Oral tradition, volume 06, number 2-3 (May 1991) - Serbo-Croatian Oral Tradition
Table of Contents
- Cover
- Front Matter
- Editor's Column
- About the Authors (Back Matter)
- Articles
-
Special Serbo-Croatian Issue Introduction
by John S. Miletich -
Yugoslav Oral Lyric, Primarily in Serbo-Croatian
by Vladimir Bovan -
Notes on the Poetics of Serbo-Croatian Folk Lyric
by Hatidža Krnjević -
Macedonian Folk Poetry, Principally Lyric
by Tome Sazdov -
Bugaršćice: A Unique Type of Archaic Oral Poetry
by Josip Kekez -
Balladic Forms of the Bugarštica and Epic Songs
by Maja Bošković-Stulli -
The Folk Ballad in Slovenia
by Zmaga Kumer -
The Legend of Kosovo
by Jelka Ređep -
Concluding Formulas of Audience Address in Serbo-Croatian Oral Epic
by Marija Kleut -
The Montenegrin Oral Epic in a New Perspective
by Novak Kilibarda -
The Geographic Extent and Chronological Coordinates of South Slavic Moslem Oral Epic
by Ɖenana Buturović -
Enjambement as a Criterion for Orality in Homeric and South Slavic Epic Poetry
by Zdeslav Dukat -
Continuity and Change in Folk Prose Narrative
by Nada Milošević-Ɖorđević
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The Folk Ballad in Slovenia
(1991-05)Slovenia is the western most republic of the Yugoslav federation, bordered by Austria to the north, Italy to the west, and Croatia to the south and southeast. Slovenes are South Slavs and the Slovene language, one of the ... -
Introduction (Oral Tradition, 6/2-3, 1991)
(1991-05) -
Continuity and Change in Folk Prose Narrative
(1991-05) -
The Legend of Kosovo
(1991-05) -
Macedonian Folk Poetry, Principally Lyric
(1991-05)Macedonian folk literature, which has its beginnings in the distant past, developed over a long period of time. Information provided by the Byzantine chronicler Nicephorus (Nikephoros) Gregoras in 1326 is one of the most ... -
Editor's column (Oral Tradition, 6/2-3 (1991)
(1991-05) -
Front matter (Oral Tradition, 6/2-3, 1991)
(1991-05) -
About the authors (Oral Tradition, 6/2-3, 1991)
(1991-05) -
Balladic Forms of the Bugarštica and Epic Songs
(1991-05) -
Yugoslav Oral Lyric, Primarily in Serbo-Croatian
(1991-05)In spite of structural differences, Yugoslav oral lyric represents a unified whole in its genesis. For Yugoslavs, as well as other peoples, lyric song was the first poetic form in their aspirations toward human culture. ... -
Enjambement as a Criterion for Orality in Homeric and South Slavic Epic Poetry
(1991-05)One of the most conspicuous consequences of the adding style of oral poetry is a strong tendency for the end of the sentence to coincide with the end of the verse. In other words, a relatively negligible number of overrun ... -
Bugaršćice: A Unique Type of Archaic Oral Poetry
(1991-05) -
The Montenegrin Oral Epic in a New Perspective
(1991-05)In his study Putilov advances the opinion that the question of the relationship between history and poetry in Montenegrin oral epic poetry can be resolved by the historical-typological method, which reveals that oral heroic ... -
Concluding Formulas of Audience Address in Serbo-Croatian Oral Epic
(1991-05)"As a special feature of Serbo-Croatian oral poems, audience address is formulaic to a great extent, so that one can posit a stock of traditional formulas and formulaic expressions. From the standpoint of theme, this stock ... -
Cover (Oral Tradition, 6/2-3, 1991)
(1991-05)