Oral tradition, volume 22, number 1 (March 2007) - Bob Dylan’s Performance Artistry
Table of Contents
- Cover
- Front Matter
- Editor's Column
- About the Authors (Back Matter)
- Articles
-
Introduction
by Catharine Mason, Richard Thomas -
Dylan and the Nobel
by Gordon Ball -
The Streets of Rome: The Classical Dylan
by Richard Thomas -
A Face like a Mask and a Voice that Croaks: An Integrated Poetics of Bob Dylan's Voice, Personae, and Lyrics
by Christophe Lebold -
Living, Breathing Songs: Singing Along with Bob Dylan
by Keith Negus -
Vocal Performance and Speech Intonation: Bob Dylan's "Like a Rolling Stone"
by Michael Daley -
Never Quite Sung in this Fashion Before: Bob Dylan's "Man of Constant Sorrow"
by Todd Harvey -
"'Sólo Soy Un Guitarrista': Bob Dylan in the Spanish-Speaking World—Influences, Parallels, Reception, and Translation"
by Christopher Rollason -
Amerindian Roots of Bob Dylan's Poetry
by Emmanuel Désveaux -
Bob Dylan, the Ordinary Star
by Laure Bouquerel -
A Semantic and Syntactic Journey Through the Dylan Corpus
by Jean-Charles Khalifa -
Nothing's Been Changed, Except the Words: Some Faithful Attempts at Covering Bob Dylan Songs in French
by Nicolas Froeliger -
"The Low Hum in Syllables and Meters": Blues Poetics in Bob Dylan's Verbal Art
by Catharine Mason
[Collection created May 30, 2018]
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Recent Submissions
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Verse schools
(2007-10) -
The process of creating improvised Bertsos
(2007-10) -
The streets of Rome : The classical Dylan
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Dylan and the Novel
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Introduction (Oral Tradition, 22/1, 2007)
(2007-03) -
Special editors' column
(2007-03) -
Front matter (Oral Tradition, 22/1, 2007)
(2007-03) -
Front matter (Oral Tradition, 22/1, 2007)
(2007-03) -
About the authors (Oral Tradition, 22/1, 2007)
(2007-03) -
Bob Dylan, the ordinary star
(2007-03) -
Amerindian roots of Bob Dylan's poetry
(2007-03)