Oral tradition, volume 11, number 2 (October 1996)
Table of Contents
- Cover
- Front Matter
- Editor's Column
- About the Authors (Back Matter)
- Articles
-
The Mechanism of the Ancient Ballad: William Motherwell's Explanation
by Mary Ellen Brown -
Who Heard the Rhymes, and How: Shakespeare's Dramaturgical Signals
by Burton Raffel -
Orality and Literacy in the Commedia dell'Arte and the Shakespearean Clown
by Robert Henke -
A Furified Freestyle: Homer and Hip Hop
by Erik Pihel -
The Kalevala Received: From Printed Text to Oral Performance
by Thomas A. DuBois -
Early Voice Recordings of Japanese Storytelling
by J. Scott Miller -
"In Forme of Speche" is Anxiety: Orality in Chaucer's House of Fame
by Leslie K. Arnovick -
A Narrative Technique in Beowulf and Homeric Epic
by Bruce Louden -
Ei Pote: A Note on Homeric Phraseology
by R. Scott Garner -
In Defense of Milman Parry: Renewing the Oral Theory
by William Merrit Sale
[Collection created May 30, 2018]
Items in MOspace are protected by copyright, with all rights reserved, unless otherwise indicated.
Recent Submissions
-
Early voice recordings of Japanese storytelling
(1996-10) -
A furified freestyle : Homer and hip hop
(1996-10) -
Editor's column (Oral Tradition, 11/2 (1996)
(1996-10) -
Front matter (Oral Tradition, 11/2, 1996)
(1996-10) -
About the authors (Oral Tradition, 11/2, 1996)
(1996-10) -
Ei pote : a note on Homeric phraseology
(1996-10) -
Cover (Oral Tradition, 11/2, 1996)
(1996-10)