RSS 1.0Oral tradition, volume 09, number 2 (October 1994)
Table of Contents
- Cover
- Front Matter
- Editor's Column
- About the Authors (Back Matter)
- Articles
-
Informing Performance: Producing the Coloquio in Tierra Blanca
by Pamela Ritch, Richard Bauman -
Oral Genres and the Art of Reading in Tibet
by Anne Klein -
Forrest Spirits: Oral Echoes in Leon Forrest's Prose
by Bruce A. Rosenberg -
Ethnopoetics, Oral-Formulaic Theory, and Editing Texts
by Dell Hymes -
Homer's Style: Non-Formulaic Features of an Oral Aesthetic
by Joseph Russo -
Performing A Thousand and One Nights In Egypt
by Susan Slyomovics -
The Ethnography of Scribal Writing and Anglo-Saxon Poetry: Scribe as Performer
by A. Nicholas Doane -
Editing Beowulf: What Can Study of the Ballads Tell Us?
by John D. Niles -
Symposium:
The Study of the Orally Transmitted Ballad:
Past Paradigms and a New Poetics
by Teresa Catarella
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Recent Submissions
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Forrest Spirits: Oral Echoes in Leon Forrest's Prose
(1994-10)Rosenberg explores Chicago-based novelist Leon Forest and his particular blend of mixing traditional and experimental literary approaches. -
Homer's Style: Nonformulaic Features of an Oral Aesthetic
(1994-10)"The bulk of my paper will be devoted to the description and explication of certain rhetorical tropes that give Homeric style its peculiar flavor, an archaic taste for redundancy and familiarity discreetly seasoned with ... -
Performing A Thousand and One Nights in Egypt
(1994-10)"The subject of this paper is the multiple intersections between oral performance and the written narrative of one tale from A Thousand and One Nights, the story of Anas al-Wujud and al-Ward fi-al-Akmam."--Page 392. -
Editor's column (Oral Tradition, 9/2 (1994)
(1994-10) -
Front matter (Oral Tradition, 9/2, 1994)
(1994-10) -
About the authors (Oral Tradition, 9/2, 1994)
(1994-10) -
Improvised Poetry in the Hispanic World
(1994-10) -
The Study of the Orally Transmitted Ballad: Past Paradigms and a New Poetics
(1994-10)My purpose in this brief contribution is to characterize what I take to be the four dominant paradigms of past ballad studies, which still, in a way, influence modern research and to offer a few comments on the present ... -
The Ethnography of Scribal Writing and Anglo-Saxon Poetry: Scribe as Performer
(1994-10)What is the nature of writing and what is the role of the scribe in a culture in which speech has not lost its primacy? If we think of Anglo-Saxon scribal writing in terms of "ethnopoetics," we can think of human responses ... -
Ethnopoetics, Oral-Formulaic Theory, and Editing Texts
(1994-10)"Oral-formulaic theory and ethnopoetics are both concerned with composition in the course of performance, and with constraints that must be met in doing so. In the epics and other poetry studied in terms of oral formulaic ... -
Oral Genres and the Art of Reading in Tibet
(1994-10)Klein explores the issues associated setting down Tibetan Buddhist oral traditions into a readable format. -
Cover (Oral Tradition, 9/2, 1994)
(1994-10)