Oral tradition, volume 09, number 1 (March 1994) - African Oral Tradition
Table of Contents
- Cover
- Front Matter
- Editor's Column
- About the Authors (Back Matter)
- Articles
-
Introduction: The Search for Grounds in African Oral Tradition
by Lee Haring -
Field of Life, Sowing of Speech, Harvest of Acts
by Sory Camara -
Social Speech and Speech of the Imagination: Female Identity and Ambivalence in Bambara-Malinké Oral Literature
by Veronika Görög-Karady -
Freedom to Sing, License to Insult: The Influence of Haló Performance on Social Violence Among the Anlo Ewe
by Daniel K. Avorgbedor -
Pattern, Interaction, and the Non-Dialogic in Performance by Hausa Rap Artists
by Graham Furniss, Sa'idu Babur Ahmed -
Oral Literary Criticism and the Performance of the Igbo Epic
by Chukwuma Azuonye -
On the Sense and Nonsense of Performance Studies Concerning Oral Literature of the Bulsa in Northern Ghana
by Rüediger Schott -
Silent Voices: The Role of Somali Women's Poetry in Social and Political Life
by Zainab Mohamed Jama -
Women's Discourse on Social Change in Nzema (Ghanaian) Maiden Songs
by K.E. Agovi -
Through Ambiguous Tales: Women's Voices in Chokwe Storytelling
by Rachel I. Fretz
[Collection created May 30, 2018]
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About the authors (Oral Tradition, 9/1, 1994)
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Front matter (Oral Tradition, 9/1, 1994)
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About the authors (Oral Tradition, 9/1, 1994)
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Cover (Oral Tradition, 9/1, 1994)
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