Performed Being: Word Art as a Human Inheritance

dc.contributor.author	Turner, Frederick	eng
dc.date.issued	1986-01	eng
dc.description	The study of the oral tradition presently lies at the crossroads of several new lines of research that promise to transform the shape of literary criticism and critical theory forever. The nature of this change may perhaps be indicated by an analogy with the revolution in the study of biology which was wrought by the theory of evolution.--Page 66.	eng
dc.description	Frederick Turner (University of Texas, Dallas), former editor of the Kenyon Review, is at home in anthropology and modern science as well as literary studies. He also is a wellpublished poet, whose book-length epic poem The New World appeared in 1985. His essays range from an examination of refl exivity in Thoreau to a study of space and time in Chinese verse, and on to the collection entitled Natural Classicism (1985).	eng
dc.format.extent	44 pages	eng
dc.identifier.citation	Oral Tradition, 1/1 (1986):66-109.	eng
dc.identifier.uri	https://hdl.handle.net/10355/63964
dc.language	English	eng
dc.rights	OpenAccess.	eng
dc.rights.license	This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License.
dc.title	Performed Being: Word Art as a Human Inheritance	eng
dc.type	Article	eng