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dc.contributor.authorSobol, Joseph D.eng
dc.date.issued1992-03eng
dc.description.abstract"Within the past twenty years there has evolved a national--even, to a limited extent, an international--community of performers who position themselves under the sign of a self-conscious revival of traditional storytelling. Although their actual practices cover a wide range of performance conventions--from a variety of ethnic traditional storytelling styles, to standup comedy, to theatrical impersonation, to autobiographical performance art, to oral interpretation--these contemporary performers share in the invocation of ancient traditions and roles as a common signifying framework."--Introduction.eng
dc.format.extent21 pageseng
dc.identifier.citationOral Tradition, 7/1 (1992): 66-86.eng
dc.identifier.urihttps://hdl.handle.net/10355/64612
dc.languageEnglisheng
dc.rightsOpenAccess.eng
dc.rights.licenseThis work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License.
dc.titleInnervision and Innertext: Oral and Interpretive Modes of Storytelling Performanceeng
dc.typeArticleeng


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