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dc.contributor.authorSchott, Rudigereng
dc.date.issued1994-03eng
dc.descriptionThe performance outlined here corresponds to the traditional style of Bulsa storytelling that has been described in detail by Agalic (1978). Instead of repeating his account, I would like to pose a question: what is the sense of studying the storytelling performances if one is, like me, more interested in what is told than in how it is told? Or, to phrase it differently: does the storytelling performance influence the content of the stories told among the Bulsa and if so, in what way?eng
dc.descriptionIssue title; "African Oral Traditions."eng
dc.format.extent23 pageseng
dc.identifier.citationOral Tradition, 9/1 (1994): 162-184.eng
dc.identifier.urihttps://hdl.handle.net/10355/64641
dc.languageEnglisheng
dc.titleOn the sense and nonsense of performance studies concerning oral literature of the Bulsa in Northern Ghanaeng
dc.typeArticleeng


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