[-] Show simple item record

dc.contributor.authorLindow, Johneng
dc.date.issued2000-03eng
dc.descriptionBecause Gylfaginning endeavors to present the entire curve of the mythology, from the creation of the cosmos through the ongoing conflict between gods and giants to the destruction of the cosmos, with non-narrative detours cataloging features of the gods and goddesses, that sixth part is large indeed. The story is also significant because it does not draw from the eddic poems Voluspa, Vafbrudnismal, and Grimnismal, which were the major sources of Gylfaginning. Since the latter two. indeed, perhaps all three.are Odin poems, Gylfaginning has a certain focus on Odin, and besides the journey to Utgardaloki, there is only one other Thor narrative in Gylfaginning, about his visit to the giant Hymir and fishing up of the Midgard serpent. Thus the visit to Utgardaloki offers the fullest opportunity within Gylfaginning to see Thor in action.within all of Snorra Edda, actually, and judging by length at least, within the entire corpus.eng
dc.format.extent17 pageseng
dc.identifier.citationOral Tradition, 15/1 (2000): 170-186.eng
dc.identifier.urihttps://hdl.handle.net/10355/64802
dc.languageEnglisheng
dc.titleThor's visit to Utgardalokieng
dc.typeArticleeng


Files in this item

[PDF]

This item appears in the following Collection(s)

[-] Show simple item record