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dc.contributor.authorWiget, Andreweng
dc.date.issued2000-03eng
dc.descriptionThe fundamental question is whether these conclusions about the nature of the Trickster figure, dependent as they are upon the material conditions of the received texts upon which they are based, can be sustained by an examination of trickster cycles as actually performed. With few exceptions, such as Bloomfield's recording of Maggie Achenam's Cree Trickster cycle performance discussed here--the performance that first alerted me to these questions--the publication of trickster materials has usually taken the form of collections of single tales, regardless of whether they were originally performed singly or as parts of cycles.eng
dc.descriptionNoteeng
dc.format.extent35 pageseng
dc.identifier.citationOral Tradition, 15/1 (2000): 39-73.eng
dc.identifier.urihttps://hdl.handle.net/10355/64806
dc.languageEnglisheng
dc.titleCycle construction and character development in central Algonkian Trickster taleseng
dc.typeArticleeng


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