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dc.contributor.authorGuerrero, Vladimireng
dc.date.issued2002-10eng
dc.descriptionThe concept of dividing what has generally been considered a single art does not apply to all oral traditions. But as I hope to demonstrate in the Spanish epic, it is a way of interpreting this verbal art form with greater distance from its written versions than has been the case to date. The parallel streams of Spanish literature and historiography, originating in the twelfth century, from where episodes have survived as ballads or romances to the present day, will show that it is possible to do so. If the principle of two verbal art forms can be accepted, it would cast an entirely new light on the individualist versus neo-traditionalist controversy.eng
dc.descriptionNoteeng
dc.format.extent28 pageseng
dc.identifier.citationOral Tradition, 17/2 (2002): 208-235.eng
dc.identifier.urihttps://hdl.handle.net/10355/64869
dc.languageEnglisheng
dc.rightsOpenAccess.eng
dc.rights.licenseThis work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License.
dc.titleWritten on the wind : An introduction to auraltureeng
dc.typeArticleeng


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