dc.contributor.author | Guerrero, Vladimir | eng |
dc.date.issued | 2002-10 | eng |
dc.description | The concept of dividing what has generally been considered a single art does not apply to all oral traditions. But as I hope to demonstrate in the Spanish epic, it is a way of interpreting this verbal art form with greater distance from its written versions than has been the case to date. The parallel streams of Spanish literature and historiography, originating in the twelfth century, from where episodes have survived as ballads or romances to the present day, will show that it is possible to do so. If the principle of two verbal art forms can be accepted, it would cast an entirely new light on the individualist versus neo-traditionalist controversy. | eng |
dc.description | Note | eng |
dc.format.extent | 28 pages | eng |
dc.identifier.citation | Oral Tradition, 17/2 (2002): 208-235. | eng |
dc.identifier.uri | https://hdl.handle.net/10355/64869 | |
dc.language | English | eng |
dc.rights | OpenAccess. | eng |
dc.rights.license | This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License. | |
dc.title | Written on the wind : An introduction to auralture | eng |
dc.type | Article | eng |