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dc.contributor.authorThomas, Richard F.eng
dc.date.issued2007-03eng
dc.descriptionAt the end of the day Dylan defies identification, and perhaps "singer-songwriter" works fine for him, as it does too for Homer or Virgil. Dylan has been dressing in the costume of mid-nineteenth or early mid-twentieth century Americana, the world that his songs have brought back to life. But he has also been going back much further in his mind's time. I don't expect him to turn up in the toga or with any old laurel leaves on his head, but that doesn't matter since he's already back there in my mind and that's good enough for me.: The Peformance Artistry of Bob Dylan: Conference Proceedings of the Caen Colloquiumeng
dc.format.extent27 pageseng
dc.identifier.citationOral Tradition, 22/1 (2007): 30-56.eng
dc.identifier.urihttps://hdl.handle.net/10355/65102
dc.languageEnglisheng
dc.rightsOpenAccess.eng
dc.rights.licenseThis work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License.
dc.titleThe streets of Rome : The classical Dylaneng
dc.typeArticleeng


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