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dc.contributor.authorPetersen, Leneeng
dc.date.issued2008-03eng
dc.descriptionThe aim of this article is to establish some premises for comparing the transmission of playtexts of the early modern stage with the transmission of folk material. My central question is whether playtexts and ballad and tale texts "de-compose" in similar ways, and, if they do, whether we may then predict a similar "goal product" that can only be achieved through transmission. The detailed comparison of traditionalized ballads and Elizabethan playtexts is still a relatively uncharted field of inquiry, and this article thus simultaneously revisits and supplements the few observations published in this field so far.eng
dc.descriptionNoteeng
dc.format.extent30 pageseng
dc.identifier.citationOral Tradition, 23/1 (2008): 118-147.eng
dc.identifier.urihttps://hdl.handle.net/10355/65136
dc.languageEnglisheng
dc.rightsOpenAccess.eng
dc.rights.licenseThis work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License.
dc.titleDe-composition in popular Elizabethan playtexts : A revalidation of the multiple version of Romeo and Juliet and Hamleteng
dc.typeArticleeng


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