dc.contributor.author | Rhodes, Neil | eng |
dc.contributor.author | Jones, Chris | eng |
dc.date.issued | 2009-10 | eng |
dc.description | This collection derives from a conference held at the University of St. Andrews in 2006, one of an occasional series on the media in history as a context for literary interpretation.1 The aim of the conference was to extend our discussion of the literary media from printed text and script back to the most basic medium of all: speech. But we also wanted to explore points of contact between the established field of oral tradition and the emerging field of sound studies. | eng |
dc.description | Issue title: Sound Effects. | eng |
dc.format.extent | 12 pages | eng |
dc.identifier.citation | Oral Tradition, 24/2 (2009): 281-292. | eng |
dc.identifier.uri | https://hdl.handle.net/10355/65184 | |
dc.language | English | eng |
dc.rights | OpenAccess. | eng |
dc.rights.license | This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License. | |
dc.title | Sound effects : The oral/aural dimensions of literature in English : Introduction | eng |
dc.type | Article | eng |