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dc.contributor.authorLivesey, Nina E.eng
dc.date.issued2012-10eng
dc.descriptionRecent studies in the fields of orality and oral performance reveal that the recognition of oral features within texts can clarify vexing issues of interpretation and lead the interpreter to a more complete understanding of authorial intent.1 Specifically with regard to ancient authors and hearers, sound played a very strategic role in conveying meaning. Not having the luxury or ability 2 to reread sections of texts to determine meaning semantically, ancient auditors relied upon oral cues such as repetition and word placement to convey meaning.3 Ancient hearers actively listened to compositions orally declaimed. Thus, John Foley remarks (1991:59), "the 'reader' of an oral traditional 'text' is more a participant actively involved in making the work than an analyst interested only in plumbing the depths of a textual artifact."4eng
dc.descriptionNoteeng
dc.format.extent18 pageseng
dc.identifier.citationOral Tradition, 27/2 (2012): 273-290.eng
dc.identifier.urihttps://hdl.handle.net/10355/65272
dc.languageEnglisheng
dc.rightsOpenAccess.eng
dc.rights.licenseThis work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License.
dc.titleSounding out the heirs of Abraham (Rom 4:9-12)eng
dc.typeArticleeng


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