Patronage, commodification, and the dissemination of performance art : The shared benefits of web archiving

dc.contributor.author	Wickett, Elizabeth	eng
dc.date.issued	2012-10	eng
dc.description	This essay addresses the aesthetic and ethical dimensions of documenting oral performance on film, the evolution of a polymodal form of archival documentation leading to online monographs, and the question of how performers may benefit from the archival process--specifically with reference to performances of the epic of Pabuji in Rajasthan, India.1	eng
dc.description	Note	eng
dc.format.extent	18 pages	eng
dc.identifier.citation	Oral Tradition, 27/2 (2012): 333-350.	eng
dc.identifier.uri	https://hdl.handle.net/10355/65275
dc.language	English	eng
dc.rights	OpenAccess.	eng
dc.rights.license	This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License.
dc.title	Patronage, commodification, and the dissemination of performance art : The shared benefits of web archiving	eng