[-] Show simple item record

dc.contributor.authorKalyoncu, Nesrineng
dc.contributor.authorOzata, Cemaleng
dc.date.issued2012-10eng
dc.descriptionIn almost all industrial and post-industrial societies of the modern age as well as in a majority of developing countries, musical-cultural accumulation is documented via writing, musical notation, and similar audio-visual tools to achieve transmission with minimum information loss. As a consequence of the formation of written culture and widespread use of musical notation, musical works could then be registered on permanent documents to enable transmission not only to the immediately following generations but also to many generations over future centuries. The use of writing and the consequential transmission of music via writing, however, are comparatively new yet noteworthy developments in the long history of humankind.eng
dc.descriptionNoteeng
dc.format.extent18 pageseng
dc.identifier.citationOral Tradition, 27/2 (2012): 363-380.eng
dc.identifier.urihttps://hdl.handle.net/10355/65277
dc.languageEnglisheng
dc.rightsOpenAccess.eng
dc.rights.licenseThis work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License.
dc.titleInstrument teaching in the context of oral tradition : A field study from Bolu, Turkeyeng
dc.typeArticleeng


Files in this item

[PDF]

This item appears in the following Collection(s)

[-] Show simple item record