dc.contributor.author | Kalyoncu, Nesrin | eng |
dc.contributor.author | Ozata, Cemal | eng |
dc.date.issued | 2012-10 | eng |
dc.description | In almost all industrial and post-industrial societies of the modern age as well as in a majority of developing countries, musical-cultural accumulation is documented via writing, musical notation, and similar audio-visual tools to achieve transmission with minimum information loss. As a consequence of the formation of written culture and widespread use of musical notation, musical works could then be registered on permanent documents to enable transmission not only to the immediately following generations but also to many generations over future centuries. The use of writing and the consequential transmission of music via writing, however, are comparatively new yet noteworthy developments in the long history of humankind. | eng |
dc.description | Note | eng |
dc.format.extent | 18 pages | eng |
dc.identifier.citation | Oral Tradition, 27/2 (2012): 363-380. | eng |
dc.identifier.uri | https://hdl.handle.net/10355/65277 | |
dc.language | English | eng |
dc.rights | OpenAccess. | eng |
dc.rights.license | This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License. | |
dc.title | Instrument teaching in the context of oral tradition : A field study from Bolu, Turkey | eng |
dc.type | Article | eng |