Family Systems Theory in Chekhov’s ‘Big Four’ Plays
Abstract
This thesis discusses the Bowen family systems theory and its application to character
analysis and family relationships in drama. Chekhov’s plays are renowned for their
psychological realism. Each character has his or her own unique history, which was a boon to
the creation and development of the Stanislavski acting system. This thesis is an exercise in
character creation through psychological analysis. The primary character relationships are
explored in each of Chekhov’s four major plays. Each play is analyzed using the Bowen
principle that appears most overtly in that play. It is concluded that character creation for
actors and directors, as well as literary analysis, will benefit from the application of this
method.
Table of Contents
Preface -- The seagull -- Uncle Vanya -- Three sisters -- the cherry orchard -- Epilogue
Degree
M.A.