dc.contributor.advisor | Sims, Wendy L. | eng |
dc.contributor.author | Waggoner, Dori T. | eng |
dc.date.issued | 2009 | eng |
dc.date.submitted | 2009 Summer | eng |
dc.description | Title from PDF of title page (University of Missouri--Columbia, viewed on March 1, 2010). | eng |
dc.description | The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. | eng |
dc.description | Dissertation advisor: Dr. Wendy Sims. | eng |
dc.description | Vita. | eng |
dc.description | Ph.D. University of Missouri--Columbia 2009. | eng |
dc.description.abstract | This study was designed with three main purposes; to compare (a) the effects of two listening conditions on error detection accuracy, (b) error detection responses for rhythm errors and note errors, and (c) the influences of texture on error detection accuracy. Undergraduate music education students (n = 18) listened to purposefully incorrect performances of band literature in two formats, on recordings and while conducting a live ensemble. Note and rhythm errors were inserted into the musical excerpts to investigate responses to different types of errors. Half of the excerpts were played by the full ensemble and half by a single section. Participants served as their own controls by completing the error detection tasks under all conditions. Results indicated that participants were significantly more successful in identifying errors in the recording condition than in the conducting condition. A significant interaction existed between the error type (note or rhythm) and the ensemble texture (single section or full ensemble). Participants more accurately identified rhythm errors in the single section texture, and diagnosed note errors more successfully in the full ensemble excerpts. | eng |
dc.description.bibref | Includes bibliographical references. | eng |
dc.format.extent | viii, 134 pages | eng |
dc.identifier.oclc | 607914348 | eng |
dc.identifier.uri | https://hdl.handle.net/10355/7022 | |
dc.identifier.uri | https://doi.org/10.32469/10355/7022 | eng |
dc.language | English | eng |
dc.publisher | University of Missouri--Columbia | eng |
dc.relation.ispartofcommunity | University of Missouri--Columbia. Graduate School. Theses and Dissertations | eng |
dc.rights | OpenAccess. | eng |
dc.rights.license | This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License. | |
dc.subject.lcsh | Musical pitch | eng |
dc.subject.lcsh | Musical meter and rhythm | eng |
dc.subject.lcsh | Musical ability -- Testing | eng |
dc.subject.lcsh | Score reading and playing | eng |
dc.subject.lcsh | Conducting | eng |
dc.subject.lcsh | Instrumental music -- Instruction and study | eng |
dc.title | The effects of listening conditions, error types, and ensemble textures on the error detection skills of undergraduate instrumental music education majors | eng |
dc.type | Thesis | eng |
thesis.degree.discipline | Learning, teaching and curriculum (MU) | eng |
thesis.degree.grantor | University of Missouri--Columbia | eng |
thesis.degree.level | Doctoral | eng |
thesis.degree.name | Ph. D. | eng |