dc.contributor.advisor | Bar-Nadav, Hadara | |
dc.contributor.author | Henn, Mary | |
dc.date.issued | 2021 | |
dc.date.submitted | 2021 Spring | |
dc.description | Title from PDF of title page, viewed September 14, 2022 | |
dc.description | Thesis advisor: Hadara Bar-Nadav | |
dc.description | Vita | |
dc.description | Includes bibliographical references (page 86) | |
dc.description | Thesis (M.F.A.)--Department of English Language and Literature. University of Missouri--Kansas City, 2021 | |
dc.description.abstract | This thesis, When There Were Knives I Dreamed of It, is a collection of poems and prose in three parts. It is prefaced with a long-form poem comprised of 11 parts, which is intended to establish the tone for the work that follows. The first section, “Girlbody: A Christening with Thorns,” explores subjects of girlhood, gender and sexuality, and violence. The poems and nonfiction essays of the first section move from schooldays into young adulthood, focusing on traumas of the body. “Losing Form: Boy & Crushed Ice,” the second section of the collection, recenters subjects introduced in the first section around issues of addiction. The second section focuses primarily on the speaker’s familial relationships, specifically the relationship she has with one of her brothers. The third and final section, “Drawn, then Cauterized: An Un-Naming,” turns outward toward relationships cultivated in adulthood, while also reflecting on issues of the body. The collection concludes with a second long-form poem in sections that is meant to echo subjects that surface throughout the entire collection.
In summary, the pieces included in this thesis explore girlhood, gender and sexuality, religion, addiction, relationships, community, and loss in what might generally be regarded as vignettes. More than anything, the work of this collection stiches together images and fragments of memory as a lens, if not for understanding, then for observing the ways in which trauma impacts collective facets of society and culture. | |
dc.description.tableofcontents | Premonition from Running Ho[r]se -- Girlbody: A Christening with Thorns. Broken Sonnet for the American Schoolgirl ; How a Body Floats ; What We Take to Graves ; Home Videos Tell Us Again ; Assemblies ; Filmbound ; Memory of a Crushed Daisy ; These Things I Know Are True -- Losing Form: Boy & Crushed Ice. Ode to a Makeshift Heroin Pipe ; Hand-me-down Beater ; My Brother’s Left Forearm Cradles a Pirate Ship ; When There Were Knives I Dreamed of It ; I Think We Spoke of Parking Lots ; When I Read About Portland ; Before My Brother Was Stabbed ; Crime Scene Palimpsest ; One Billboard Outside Liberty, Missouri ; Next to I35, Paint or Blood Sings the Lyrics of Edward Sharpe
& The Magnetic Zeros ; Where My Neighbors Crush Ice -- Drawn, Then Cauterized: An Un-naming. To Be Debbie ; When I Drew Death, I Named Him Henry ; Ghazal for Having Your Cervix Cut Out ; Snapchat Boyfriend ; Virginia Is for Lovers ; We Are in the Middle of a Pandemic and ; Around Budd Park ; Miss Scarlet Outside Royal Liquor with a Glass Rose | |
dc.format.extent | xvi, 88 pages | |
dc.identifier.uri | https://hdl.handle.net/10355/85283 | |
dc.subject.other | Thesis -- University of Missouri--Kansas City -- Creative Writing and Media Arts | |
dc.title | When There Were Knives I Dreamed of It | |
thesis.degree.discipline | Creative Writing and Media Arts (UMKC) | |
thesis.degree.grantor | University of Missouri--Kansas City | |
thesis.degree.level | Masters | |
thesis.degree.name | M.F.A. (Master of Fine Arts) | |