Composing aromanticism
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The term "aromantic" describes those who experience little to no romantic attraction to other people, marking a queer identity hardly referenced in either scholarship or popular conversation. Aromanticism's obscurity doesn't only render it difficult for aromantic people to communicate to those who don't identify or aren't familiar with the term - it also often leaves aromantics themselves uncertain as to how they might put their perspectives and experiences to words (much less music, visual art, and so on). In this thesis, I suggest that both the aromantic community and composition studies might benefit from some manner of allyship or collaboration with each other. While scholars of queer composition have been publishing exciting work for the past several decades on queering form and genre, writing pedagogy, even how success or failure in composing can be imagined as a whole, their scholarship has yet to either acknowledge the aromantic community's presence or incorporate some of its viewpoints. Following such scholars as an Alexander, Jacqueline Rhodes, and Stacey Waite, I wonder how queering composition might look different if aromanticism were incorporated into it. To do so, I share from my own aromantic experiences and compositions as well as offer overviews on the contemporary aromantic community and composition studies' queer table. The resulting project is a collage of research and something like prose poetry (not to mention drama and visual art), itself a text that takes a hopeful stab at queering form, queerly content as to whether it might succeed or fail in its genre.
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M.A.