Oral tradition, volume 09, number 2 (October 1994)

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Informing Performance: Producing the Coloquio in Tierra Blanca
by Pamela Ritch, Richard Bauman
Oral Genres and the Art of Reading in Tibet
by Anne Klein
Forrest Spirits: Oral Echoes in Leon Forrest's Prose
by Bruce A. Rosenberg
Ethnopoetics, Oral-Formulaic Theory, and Editing Texts
by Dell Hymes
Homer's Style: Non-Formulaic Features of an Oral Aesthetic
by Joseph Russo
Performing A Thousand and One Nights In Egypt
by Susan Slyomovics
The Ethnography of Scribal Writing and Anglo-Saxon Poetry: Scribe as Performer
by A. Nicholas Doane
Editing Beowulf: What Can Study of the Ballads Tell Us?
by John D. Niles
Symposium: The Study of the Orally Transmitted Ballad: Past Paradigms and a New Poetics
by Teresa Catarella

[Collection created May 30, 2018]

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Oral tradition, volume 09, number 2 (October 1994)
(1994-10)
Editing Beowulf: What Can Study of the Ballads Tell Us?
(1994-10) Niles, John D.
Informing Performance: Producing the Coloquio in Tierra Blanca
(1994-10) Bauman, Richard; Ritch, Pamela
Forrest Spirits: Oral Echoes in Leon Forrest's Prose
(1994-10) Rosenberg, Bruce A.
Rosenberg explores Chicago-based novelist Leon Forest and his particular blend of mixing traditional and experimental literary approaches.
Homer's Style: Nonformulaic Features of an Oral Aesthetic
(1994-10) Russo, Joseph
"The bulk of my paper will be devoted to the description and explication of certain rhetorical tropes that give Homeric style its peculiar flavor, an archaic taste for redundancy and familiarity discreetly seasoned with variation and ornamentation."--Page 373.