Oral tradition, volume 24, number 2 (October 2009) - Sound Effects

Table of Contents

• Cover
• Front Matter
• Editor's Column
• About the Authors (Back Matter)
• Articles
• Sound Effects: The Oral/Aural Dimensions of Literature in English Introduction
  by Chris Jones, Neil Rhodes
• The Word Made Flesh: Christianity and Oral Culture in Anglo-Saxon Verse
  by Andy Orchard
• The Trumpet and the Wolf: Noises of Battle in Old English Poetry
  by Alice Jorgensen
• Mulcaster's Tyrant Sound
  by John Wesley
• Shakespeare's Sound Government: Sound Defects, Polyglot Sounds, and Sounding Out
  by Patricia Parker
• On Speech, Print, and New Media: Thomas Nashe and Marshall McLuhan
  by Neil Rhodes
• James Macpherson's Ossian Poems, Oral Traditions, and the Invention of Voice
  by James Mulholland
• Theorizing Orality and Performance in Literary Anecdote and History: Boswell's Diaries
  by Dianne Dugaw
• Written Composition and (Mem)oral Decomposition: The Case of "The Suffolk Tragedy"
  by Tom Pettitt
• Sites of Sound
  by Bruce Johnson
• Joyce's Noises
  by Derek Attridge
• Where Now the Harp? Listening for the Sounds of Old English Verse, from Beowulf to the Twentieth Century
  by Chris Jones
• Sounding Out Homer: Christopher Logue's Acoustic Homer
  by Emily Greenwood

[Collection created May 30, 2018]