Oral tradition, volume 22, number 1 (March 2007) - Bob Dylan’s Performance Artistry

Table of Contents

• Cover
• Front Matter
• Editor's Column
• About the Authors (Back Matter)
• Articles
• Introduction
  by Catharine Mason, Richard Thomas
• Dylan and the Nobel
  by Gordon Ball
• The Streets of Rome: The Classical Dylan
  by Richard Thomas
• A Face like a Mask and a Voice that Croaks: An Integrated Poetics of Bob Dylan's Voice, Personae, and Lyrics
  by Christophe Lebold
• Living, Breathing Songs: Singing Along with Bob Dylan
  by Keith Negus
• Vocal Performance and Speech Intonation: Bob Dylan's "Like a Rolling Stone"
  by Michael Daley
• Never Quite Sung in this Fashion Before: Bob Dylan's "Man of Constant Sorrow"
  by Todd Harvey
• "'Sólo Soy Un Guitarrista': Bob Dylan in the Spanish-Speaking World—Influences, Parallels, Reception, and Translation"
  by Christopher Rollason
• Amerindian Roots of Bob Dylan's Poetry
  by Emmanuel Désveaux
• Bob Dylan, the Ordinary Star
  by Laure Bouquerel
• A Semantic and Syntactic Journey Through the Dylan Corpus
  by Jean-Charles Khalifa
• Nothing's Been Changed, Except the Words: Some Faithful Attempts at Covering Bob Dylan Songs in French
  by Nicolas Froeliger
• "The Low Hum in Syllables and Meters": Blues Poetics in Bob Dylan's Verbal Art
  by Catharine Mason

[Collection created May 30, 2018]