Shared more. Cited more. Safe forever.
    • advanced search
    • submit works
    • about
    • help
    • contact us
    • login
    View Item 
    •   MOspace Home
    • University of Missouri-Kansas City
    • School of Graduate Studies (UMKC)
    • Theses and Dissertations (UMKC)
    • Theses (UMKC)
    • 2014 Theses (UMKC)
    • 2014 UMKC Theses - Freely Available Online
    • View Item
    •   MOspace Home
    • University of Missouri-Kansas City
    • School of Graduate Studies (UMKC)
    • Theses and Dissertations (UMKC)
    • Theses (UMKC)
    • 2014 Theses (UMKC)
    • 2014 UMKC Theses - Freely Available Online
    • View Item
    JavaScript is disabled for your browser. Some features of this site may not work without it.
    advanced searchsubmit worksabouthelpcontact us

    Browse

    All of MOspaceCommunities & CollectionsDate IssuedAuthor/ContributorTitleIdentifierThesis DepartmentThesis AdvisorThesis SemesterThis CollectionDate IssuedAuthor/ContributorTitleIdentifierThesis DepartmentThesis AdvisorThesis Semester

    Statistics

    Most Popular ItemsStatistics by CountryMost Popular AuthorsStatistics by Referrer

    From Everyman to Hero: The Inculturation and Propaganda of the Adventures of Captain Marvel and Spy Smasher Serials

    Quearry, Jayson William
    View/Open
    [PDF] From Everyman to Hero: The Inculturation and Propaganda of the Adventures of Captain Marvel and Spy Smasher Serials (332.2Kb)
    Date
    2014
    Metadata
    [+] Show full item record
    Abstract
    Though the serial film is academically and critically disregarded, the format was a valuable tool of inculturation and propaganda. Serial films were widely attended by American middle class adults and children during their sound era heyday, a period where messages regarding World War II were conveyed to audiences. During the years of 1941 and 1942 the superhero genre of serial film informed viewers that the Everyman could and should become a hero to defend their country. Two Republic Pictures releases, Adventures of Captain Marvel (1941) and Spy Smasher (1942), adapted comic book source material in order to impart the latter message. The intensity of each serial's message varied based on their releases in pre- or post-WWII Involvement societies.
    Table of Contents
    Captain Marvel vs. Spy Smasher -- Introduction -- Genesis of the serial -- Sound comes to the serials -- Republic Pictures - the superhero studio -- Origin stories - Captain Marvel and Spy Smasher -- The analyses of Captain Marvel -- Spy Smasher rallies America -- Conclusion
    URI
    https://hdl.handle.net/10355/45631
    Degree
    M.A.
    Thesis Department
    Liberal Studies (UMKC)
    Collections
    • 2014 UMKC Theses - Freely Available Online
    • Liberal Studies Electronic Theses (UMKC)

    If you encounter harmful or offensive content or language on this site please email us at harmfulcontent@umkc.edu. To learn more read our Harmful Content in Library and Archives Collections Policy.

    Send Feedback
    hosted by University of Missouri Library Systems
     

     


    If you encounter harmful or offensive content or language on this site please email us at harmfulcontent@umkc.edu. To learn more read our Harmful Content in Library and Archives Collections Policy.

    Send Feedback
    hosted by University of Missouri Library Systems