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Now showing items 21-33 of 33
John Horne Burns : Toward a Critical Biography
(University of Missouri--Columbia, 1985)
The dissertation traces John Horne Burns's life and career as a novelist and English teacher, from his origins in Andover through his literary success with The Gallery (1947), Lucifer with a Book (1949), and A Cry of ...
Tudor prose satire : the dynamics of a visual mode
(University of Missouri--Columbia, 1975)
"Peter Bruegel’s Dulle Griet (”Mad Meg”) is a collage of feverish movement replete with monstrous figures, absurd concoctions, and soberly aggressive peasant women. A besieged village forms the lower half of the setting ...
Comic pattern in the novels of Smollett
(University of Missouri--Columbia, 1973)
This dissertation focuses upon the disparity between the bodies of Smollett's novels and their endings. The former is set in a society which historians identify as the "real world" of eighteenth-century London, a world ...
Concretes and abstracts in the Old English epic Beowulf
(University of Missouri--Columbia, 1916)
That poem may surely be said to be abstract in character in which the motive is more real than the deed, in which the thoughts of a man's heart are given more dramatic prominence than the facts of his appearance, in which ...
The public voice of Richard Crashaw : a study in the use of religious tradition
(University of Missouri--Columbia, 1973)
"It is something of an understatement to say that of all the poets of the seventeenth century, Crashaw has been most subjected to the slings and arrows of outrageous fortune. He has suffered the fate of being labeled the ...
The speaker in the major poems of William Cowper
(University of Missouri--Columbia, 1968)
"The fate of William Cowper as poet may very well turn out to be analogous to what threatened to be the fate of Samuel Johnson: the history of the man will become more important than his literary achievement. Of course the ...
Frederick Buechner : an introduction
(University of Missouri--Columbia, 1987)
American writer Frederick Buechner has published, since 1950, eleven novels and ten major works of non-fiction. The critical reception of Buechner’s work has been generally problematic; his work has been undervalued, at ...
The conception of tragedy in recent English drama
(University of Missouri--Columbia, 1913)
It is the purpose of this thesis to examine the conception of tragedy in English drama of the period 1900-1912. In the investigation three questions have been considered. 1. What conceptions of tragedy prevailed in English ...
English literature and modern Bengali short fiction : a study in influences
(University of Missouri--Columbia, 1969)
Modern short fiction is defined as a genre which deals, by means of a process of oblique questioning, with the concerns of "submerged population groups." Because answers to these questions are not necessarily supplied by ...
"To move wild laughter in the throat of death" : an anatomy of Black Humor
(University of Missouri--Columbia, 1975)
) That man is the victim of some vague, sinister conspiracy; (3) That the Self has been lost or heavily masked; (4) That "society is sterile, reductive, and confining, a conviction projected repeatedly through controlling metaphors of the waste land...
The miracle play : medieval and modern
(University of Missouri--Columbia, 1918)
"The purpose of the present study is to investigate one of these three types,--the miracle play. It is the aim of the thesis to study typical examples of the medieval miracle and the entire list, so far as possible, of ...
A study of tragic situation and character in English drama, 1900- 1912
(University of Missouri--Columbia, 1914)
It is the purpose of this study to examine the subject-matter of those English dramas of 1900-1912 which portray serious action and produce tragic effect. In this study all purely aesthetic questions are ignored. The ...
The pleasure-pain motif in the poetry of John Keats
(University of Missouri--Columbia, 1972)
This study is intended to show that one of the commonly noted motifs in the poetry of Keats is also a feature of considerable importance. The swift interchange of pleasure and pain or the ability of the poet to be happy ...