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Interrogating transnational media representations of "harmful" bodylore
(University of Missouri--Columbia, 2018)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] The category of "harmful" cultural practices' has become a central and defining concept in global health and development policy. A key target of ...
The education of a gambler's daughter
(University of Missouri--Columbia, 2018)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] The Education of a Gambler's Daughter is a creative dissertation that tells the story of a daughter trying to make sense out of the chaos that resulted ...
Rewriting the creative : toward a happenings theory of creative composition & The last monarchist : stories from Nepal
(University of Missouri--Columbia, 2015)
First dissertation: Rewriting the creative: toward a happenings theory of creative composition. This dissertation explores the relationship between composition and creative writing in the light of the binary of rhetoric ...
Harriet Beecher Stowe and the circulation of texts
(University of Missouri--Columbia, 2014)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This dissertation argues that even though Harriet Beecher Stowe participated in models of circulation throughout her career, they were shaped by drastic ...
Like a broken cinema film : rethinking Faulkner's filmic novels
(University of Missouri--Columbia, 2015)
Almost since the movies first started, people have been arguing about how films change the way we think about novels. William Faulkner, while a famous novelist, also spent a lot of time working as a Hollywood screenwriter, ...
Border crossings, identities, and creative nonfiction : Haitian travel guides and writing about Haiti
(University of Missouri--Columbia, 2015)
In my thesis, I explore the practice of travel writing by examining four separate travel guides. I ask how writing about travel, including my own creative writing about Haiti, interacts with issues of identity, the \"other,\" ...
Marvelous whirlings : E.E. Cummings' Eimi, Louis Aragon, Ezra Pound, and Krazy Kat
(University of Missouri--Columbia, 2015)
In 1931, poet, painter, individual E.E. Cummings traveled to the USSR. The journal he kept during his travels would be expanded into the book Eimi and published in 1933. Eimi is an ambitious, wild, dense, and experimental ...
Filling in the blanks : ambiguity, genre, and reader participation as anti-dictatorial forces in Junot Diaz's The brief wondrous life of Oscar Wao
(University of Missouri, College of Arts and Sciences, 2016)
In sympathy : how to read -- and view -- Edith Wharton's The house of mirth
(University of Missouri, College of Arts and Sciences, 2016)
In the second Gilded Age that we live in now, it has been surprising to me to find that Edith Wharton's presence in homes and classrooms has been waning. In order to understand why this is, I turn to one of Wharton's most ...
Racist elevator inspectors, consumer-driven zombies, and the sardonicism that mocks them both in Colson Whitehead's The Intuitionist and Zone One
(University of Missouri, College of Arts and Sciences, 2016)
Concluding paragraph: "In finality, addressing The Intuitionist and Zone One's ultimate goals rely on one motivating factor: progressive justice. Incorporating genre elements into sardonic dialogue about the current racial ...
"My madness singing" : the specter of syphilis in Prufrock's Love Song
(University of Missouri, College of Arts and Sciences, 2016)
Concluding paragraph: "This unpleasant conclusion results from Prufrock's night in the "Pervigilium," since his encounters with ambiguous women and his fears of venereal disease disturb him so much that they distance him ...
"Goodbye Christ" : Langston Hughes, black art and literary censorship
(University of Missouri, College of Arts and Sciences, 2016)
Concluding paragraph: "Langston Hughes as a literary figure today is beloved by many and it is through analyzing his life that I have become aware of his radical nature at the beginning of his career. His life, the mistakes ...
Understanding and defining young adult literature
(University of Missouri, College of Arts and Sciences, 2016)
Concluding paragraphs: "Yet even in this uncertain time in life, many Y.A. novels end in hope. The last words of the Harry Potter series are "All was well." After coping with the death of his best friend and first love, ...
Parody and media literacy in "Nathan For You" and [creative final] "Adrift"
(University of Missouri, College of Arts and Sciences, 2016)
Concluding paragraph from Parody and media literacy in "Nathan For You": Over three decades after The Simpsons broke onto the primetime scene, Nathan For You harnesses a brand new form of comedy that makes similar use of ...
Talking back: the role of poets and poems in literary conversation
(University of Missouri, College of Arts and Sciences, 2016)
Concluding paragraph: "In discovering the expansive history of poetic conversation and poetic influence, the question of authenticity now seems irrelevant. Authenticity may now be described as the extent to which a poem ...
Migrations
(University of Missouri--Columbia, 2015)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] "If I had to tell the story in one line or two, I would tell it this way: I loved her and she did not choose me, though I believed she would." At 28, ...
Women beyond allegory : public land, private space and political participation in three African novels
(University of Missouri--Columbia, 2015)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] This work explores the intersections of gendered pain, domestic spaces, and political participation in three novels from different African nations in ...
"Immortal Harps": Milton and musical morality in Handel's Samson
(University of Missouri, College of Arts and Sciences, 2016)
Concluding paragraphs: "If Handel's contemporary James Harris is correct in observing that music and poetry "can never be so powerful singly, as when they are properly united," (152) and that Handel's "Genius ... being ...
She is! Tracing the evolution of the female sexual narrative in creative nonfiction writing
(University of Missouri--Columbia, 2017)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] This project explores the structures of four female-authored nonfiction sexual narratives: Anaïs Nin's Henry and June, Catherine Millet's The Sexual ...
A cinema of confrontation : using a material-semiotic approach to better account for the history and theorization of 1970s independent American horror
(University of Missouri--Columbia, 2015)
In The Films in My Life, Francois Truffaut describes how "cinematic success" results from a fragile, temporary confluence of elements: the director, the film itself, and its audience, but also critical reception, marketing, ...