Search
Now showing items 41-60 of 197
Terrorism and spectacle in White noise and Mao II
(University of Missouri, College of Arts and Sciences, 2013)
This essay analyzes Don DeLillo's White Noise and Mao II in order to demonstrate a progression of his view of the role of the critic in postmodern society. In White Noise, DeLillo conveys his view of the postmodern condition ...
Film in post-World War II American fiction
(University of Missouri--Columbia, 2012)
This dissertation is an exercise in intertextual analysis and an effort toward historicizing film referentiality in American fiction. It focuses on four novels, Walker Percy's The Moviegoer, Thomas Pynchon's Gravity's ...
Border crossings : contemporary transnational literature across media and genre and Remind me again what happened : a novel
(University of Missouri--Columbia, 2012)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] Remind Me Again What Happened is a novel told through three characters' perspectives, one of whom suffers from memory loss. By exploring the individual ...
Glaciology
(University of Missouri--Columbia, 2014)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] Glaciology is a two-part dissertation. The first part of the dissertation includes a critical introduction, "A New Sublime: Images of Wilderness in ...
A deeper sense of truth : William T. Vollmann's Seven Dreams Series and experiencing history
(University of Missouri--Columbia, 2014)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.]
The space of the south and self-definition in African American return migration novels of the post-civil rights era
(University of Missouri--Columbia, 2014)
My dissertation examines the representation of the return migration in African American novels across the last five decades and argues that these return migration novels are distinct from earlier migration narratives and, ...
Amulet
(University of Missouri--Columbia, 2013)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] The creative portion of this dissertation consists of my first poetry manuscript called Amulet. The poems are prefaced by a critical essay, "The ...
Broadening the scope: female authors are for more than the 'F-word'
(University of Missouri, College of Arts and Sciences, 2013)
Though contemporary fiction has evolved significantly alongside the social and political revolutions of the nineteenth and twentieth centuries, there remains the tendency to return to the stigmatized classifications of ...
And the wood doll arose and told, I'm a real
(University of Missouri--Columbia, 2015)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] "Sphinx Eyes Antiphon," one of the poems in my collection, And the Wood Doll Arose and Told, I'm a Real, refers to a blank or unreciprocal social gaze. ...
It takes a village: Twentieth Century black women's fiction and the spiritual apprenticeship narrative
(University of Missouri--Columbia, 2015)
This dissertation looks at nine works by contemporary black women writers and argues that the relationships between the major characters in the text reflect and emphasize the importance of mentoring bonds in black communities. ...
Harriet Beecher Stowe and the circulation of texts
(University of Missouri--Columbia, 2014)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This dissertation argues that even though Harriet Beecher Stowe participated in models of circulation throughout her career, they were shaped by drastic ...
The humanity of inaction: a comparison of Kazuo Ishiguro's Never let me go with Michael Bay's The island
(University of Missouri, College of Arts and Sciences, 2013)
One of the most common reader responses to Kazuo Ishiguro's Never Let Me Go has been to question the passivity of the clones, claiming that this inaction reveals a lack of humanity in characters who are otherwise presented ...
In the permanent collection : poems
(University of Missouri--Columbia, 2010)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] In the Permanent Collection is a collection of lyric poetry that turns a careful and sometimes ironic eye to high and low art -- from modern abstract ...
Melodrama's afterlife : Jane Eyre, David Copperfield, and The Woman in White from the Victorian stage to the silent screen
(University of Missouri--Columbia, 2010)
Unique in building a much-needed bridge between fiction, theatre, and film, "Melodrama's Afterlife" proves that writers working in all three genres throughout the long Victorian era engaged in a reciprocal relationship ...
Fractured folk : surfing for folklore frameworks in the face of science, cyber-anxieties and the techno-apocalypse
(University of Missouri--Columbia, 2012)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] The framework of this thesis breaks down a few specific examples of select paradigm shifts that occur when traditional models of folklore studies are ...
Deadbeat dad: Victor Frankenstein as the failed father
(University of Missouri, College of Arts and Sciences, 2013)
In Mary Shelley's novel Frankenstein (1831), protagonist Victor Frankenstein and his relationship to the creature have often been characterized in terms of creator and creation, with Victor trying to usurp women's procreative ...
History as a predicament vs. history as a venue : a comparative study of Robert Coover's The public burning and 'Abdul Khaaliq al-Rikaabi's Saabi' Ayaam al-Khalq
(University of Missouri--Columbia, 2013)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] In this comparative study, I examine the two novelists' approach to history, against the background of their respective cultures' understanding of ...
Pull Me Out to Sea
(University of Missouri, College of Arts and Sciences, 2015)
Pulled out of the land: the poetry of Seamus Heaney and its usage of the past
(University of Missouri, College of Arts and Sciences, 2013)
The culture someone grows up in helps to define that person, for better or for worse. This culture steeps itself into the writer's work, and helps make the writer into who he or she is. For Seamus Heaney, this steeping was ...
These little towns: land, family, and individuality in the Midwest
(University of Missouri, College of Arts and Sciences, 2013)
I am interested in how current Midwestern writers are continuing to develop the Midwest's literary history, and how they relate to Midwestern artists working in different mediums, but with similar goals. These works stand ...