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Pulled out of the land: the poetry of Seamus Heaney and its usage of the past
(University of Missouri, College of Arts and Sciences, 2013)
The culture someone grows up in helps to define that person, for better or for worse. This culture steeps itself into the writer's work, and helps make the writer into who he or she is. For Seamus Heaney, this steeping was ...
Evening edition: trauma, journalism and the post-9/11 novel
(University of Missouri, College of Arts and Sciences, 2013)
This study will help shape our understanding of the boundaries between journalism and the novel, the ways in which the journalist problematizes our understanding of 9/11 and subverts the traditional trauma narrative ...
The humanity of inaction: a comparison of Kazuo Ishiguro's Never let me go with Michael Bay's The island
(University of Missouri, College of Arts and Sciences, 2013)
One of the most common reader responses to Kazuo Ishiguro's Never Let Me Go has been to question the passivity of the clones, claiming that this inaction reveals a lack of humanity in characters who are otherwise presented ...
Deadbeat dad: Victor Frankenstein as the failed father
(University of Missouri, College of Arts and Sciences, 2013)
In Mary Shelley's novel Frankenstein (1831), protagonist Victor Frankenstein and his relationship to the creature have often been characterized in terms of creator and creation, with Victor trying to usurp women's procreative ...
Under skin: a critical essay of gender and the travel narrative
(University of Missouri, College of Arts and Sciences, 2013)
There is a line between fact and parable, and the greatest writers of travel have unabashedly and purposefully ignored it in search of the subtle poetry just beneath the surface. This collection of non-fiction essays is ...