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A subject so shocking: the female sex offender in Richardson's Clarissa
(University of Missouri--Columbia, 2006)
Online to explore the existence of historical rape cases involving female accomplices to shed light on Richardson's use of the women in the novel. I also discuss the roles erotic literature and prostitution play in creating these characters. I contend...
The ties that bind
(University of Missouri--Columbia, 2022)
Inspired by Alexander Chee's recent How to Write an Autobiographical Novel, a memoir-in-essays, "The Ties that Bind" is lyric, personal, and a coming-of-age collection of nonfiction. In "Swimming Lessons," Bryn Chambers ...
Roth and war : two cases
(University of Missouri--Columbia, 2009)
Although Philip Roth's style has gone through dramatic self-reinventions over the years, war has remained one of his major themes. After providing an introduction to Roth's career, this thesis examines how he represents ...
Katrina's other disaster : examining second disaster literature and placing post-Katrina New Orleans
(University of Missouri--Columbia, 2014)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This thesis examines the literary treatment of the time period following major natural and manmade disasters known as the "second disaster," which this ...
As many roast bones as you need
(University of Missouri--Columbia, 2020)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI--COLUMBIA AT REQUEST OF AUTHOR.] As Many Roast Bones As You Need is a creative dissertation that combines the examination of grief and our connection to animals found in ...
First-year composition and writing center usage
(University of Missouri--Columbia, 2007)
This study began with some initial questions about the interaction between the Composition Program and the Writing Lab at the University of Missouri-Columbia, with the first-year composition student's navigation of that ...
Sharp things, or the silver lines are not scars
(University of Missouri--Columbia, 2019)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] This novel is the story of Tianne, a twenty-eight-year-old stained glass artist. She works two part-time jobs as a clerk at a stained glass supply ...
Browning and the Florentine Renaissance
(University of Missouri--Columbia, 1917)
There seem to me to be three distinct causes why Florence rather than any of the other city states was the center of the Italian Renaissance. The first of these is that she preserved her popular government long enough to ...
Robert Bloomfield (1766-1823)
(University of Missouri--Columbia, 1916)
Text from page ii: The following discussion of the poet, Robert Bloomfield, is divided into four parts: first, a detailed account of the poet's life; second, an account of each of the poet's works, its contents and its ...
Rites of leaving
(University of Missouri--Columbia, 2022)
The school of Stoic philosophy traces its roots back to 300 B.C.E and thrived until the 4th century C.E, when it fell into decline and was ultimately assimilated into other systems of philosophy. It experienced a limited ...
Of the burning
(University of Missouri--Columbia, 2018)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] "Of the Burning" is a hybrid collection of nonfiction essays and sermon-poems. The narrative threads weaved through the collection include original ...
Australian narratives and Charles Dickens - retelling the history of the transport convict network
(University of Missouri--Columbia, 2023)
The practice of exile reached its zenith in the eighteenth and nineteenth centuries when the British Empire utilized transportation to remove criminal offenders elsewhere. From late 1787 to early 1788, the First Fleet ...
Kaylene can't drive : stories
(University of Missouri--Columbia, 2009)
Kaylene Can't Drive: stories is a collection of short fiction about the lives of women, especially women in their twenties, many of whom live in New York City. Running through the stories are recurring themes. In several ...
The creation of The four million : O. Henry's influences and working methods
(University of Missouri--Columbia, 2008)
Though O. Henry's The Four Million was intended as an attack on Ward McAllister's idea of the Four Hundred, each man is mentioned only in passing in studies of the other. One chapter therefore contrasts the two men by ...
Science frictions : science, folklore, and "the future"
(University of Missouri--Columbia, 2019)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] Folklore and science, along with the subject of the future which has slowly over time worked its way into the discourses of both, have a long, complicated ...
Disruptive soldiers : literary responses to the standing army controversy (1688-1846)
(University of Missouri--Columbia, 2018)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] "The aim of this thesis is to provide a sustained consideration of literary engagements with the Standing Army Controversy in Britain and America from ...
Bury the key : a book of houses
(University of Missouri--Columbia, 2023)
[EMBARGOED UNTIL 5/1/2025] Bury the Key: A Book of Houses is a book-length work of creative nonfiction that engages with implicit cultural beliefs in houses as stable, somewhat permanent, and a clear boundary between the ...
Sifting the Feminine Bones: essays
(University of Missouri--Columbia, 2022)
Sifting the Feminine Bones: Essays is a two-part project of critical analysis and creative nonfiction that examines how literary, cultural, and social constructions of femininity and the ways in which they influence our ...
Re/presenting traditions: identity, power, and politics in folklife programming
(University of Missouri--Columbia, 2008)
as the traditions of representation within the field of folklore. Moving between theory and case study this project ultimately works to identify roles and practices significant to constituting subjectivity and cultural identities. In recent years, representational...
Beginning's ends : new senses of ending and the eighteenth-century novel
(University of Missouri--Columbia, 2009)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] This dissertation argues that an examination of innovative endings in both canonized and forgotten eighteenth-century prose fiction contributes to our ...