Search
Now showing items 1-7 of 7
Theatre for Young America: A History
(2015-05-19)
In the spring of 1974, a family of actors has recently landed in Kansas City,
Missouri. Father, Gene Mackey, is working for one of the areas four professional dinner
theatres and has been authorized by his employer to ...
Battles of the sexes onstage: explorations of changing Gender roles by four American women playwrights of the 1910s-1930s
(2014-07-30)
Battle of the Sexes Onstage: Explorations of Changing Gender Roles by Four American Women Playwrights of the 1910s-1930s analyzes plays by Rachel Crothers, Susan Glaspell, Sophie Treadwell, and Dawn Powell in order to ...
The application of Jungian archetypes to the analysis of character in three early plays by W. B. Yeats
(2014-07-16)
The purpose of the following study is to explore and examine three early plays authored by the iconic late-19th and 20th-century Irish poet-playwright W. B. Yeats (1865-1939) through the identification and conscious ...
Expanding Theatre: Directing Approaches from Contemporary Chilean Women Directors
(2020)
of specific directing methods, thus illuminating the director’s beliefs in action. In each chapter, the author asserts that the director’s innovative thinking and creative practices constitute expansions of the theatrical artform. Finally, the author traces...
Staging The Merchant of Venice in the 21ˢᵗ Century: A Dramaturgical Case Study
(2015-08-12)
“Staging The Merchant of Venice in the 21ˢᵗ Century: A Dramaturgical Case Study”
aims to document the Heart of America Shakespeare Festival’s 2015 production of The
Merchant of Venice by framing it within the historical ...
The technical director: the history, the legacy, and a glimpse behind the curtain
(2013)
The central purpose of this thesis is to explore and document the position of the
technical director within the American theatre during the 20th century and into the present
day. The research focuses more heavily on the ...
Getting to Know Rodgers and Hammerstein: Education and Adaptation in 21st-century performance
(2020)
Richard Rodgers and Oscar Hammerstein II forever changed the face of American musical theatre when Oklahoma! opened on Broadway in 1943. This collaboration is often cited by historians as the first fully-integrated book ...