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Developing Marking Policies
(1962-03-13)
Since marks and marking systems have been a favorite
topic of educators for many years, and articles criticizing
present marking policies appear with ever increasing
frequency, there obviously is a widespread belief
that ...
Brass Performance Practices in the Sixteenth Century
(1989)
This paper will focus on the performance practices
involving the brass instruments in the sixteenth century. The
research involved presents an even greater difficulty. There are
two reasons for this: first, there is ...
A Statistical Analysis and Comparison of Sixteen Accompanied Art Songs From 1800-1950
(1973)
. These procedures may give us information concerning style, compositional technique, performance practices, and even a penetration into the composer's mind. Each technique, however, must be recognized as to its limitations and at no time must it become a substitute...
An Automated Teaching System for Functional Piano Skills Based on a Curriculum Study of Piano Requirements for Public School Teachers
(1966)
This study was concerned with the possibility
of utilizing economies of class instruction, yet maintaining
learning conditions of individual study; specifically with functional
piano skills necessary for public school ...
Pedagogical Comparisons of Choral and Solo Singing
(1988)
of individual monitoring. In spite of situations created by opportunity and/or necessity, the mutual and sincere concern on behalf of both the applied and the choral areas of the vocal art are evident. Based on a survey conducted of vocal music professionals...
The Effect of Improvisation in Given Rhythms on Rhythmic Accuracy in Sight Reading Achievement by Beginning College Group Piano Students
(1981)
The problem of this study was to determine whether college elementary group piano students who have regular practice in improvising the pitches for pieces within various combination of given meter, rhythmic notation, texture, and pitch delimitation...
An Analysis of Melodic and Durational Continuity in Sonata I for Organ, I, "Mässig Schnell" by Paul Hindemith
(1970)
The following analysis concerns one architectonic level of the design of musical process continuation in pitch, rest, and duration in a portion of Paul Hindemith's Sonata I for Organ.
Background on Bach and the Numerology Tradition
(1981)
Mattheson and Handel worked with 3 number symbols which might have been inspired by the Rosicrucian and Freemason mystery schools. Although there is no evidence of any direct association with these groups on Bach's part, there are many intriguing indirect...
A List of Works for Guitar and Violincello
(2000)
This paper provides a list of works for guitar and violincello as well as a review of the use of the ensemble in the past.
The Mid-Eighteenth and Early Nineteenth Centuries: A Study of Performance Practices in Two Exemplary Works for the Flute
(1973)
It is the intention of this study to provide some information concerning performance practices encountered intwo compositions which include the transverse flute in their instrumentation. These works are the Sonata 1 op. 5, no. 1 (ca. 1762), by Karl...
Musica Ficta: A Summary of Current Views Based on a Selected Bibliography of Books and Articles Published Since 1949
(1979-07)
The hope was that when this paper was completed it would
be possible to summarize clear-cut solutions to some of the
important issues of musica ficta or at least to be able to
discuss chronological trends and changes. ...
A Study of the Use of Sacred Choral Literature in Selected Missouri Public High Schools
(1991)
This study was designed to investigate the use of sacred choral music in Missouri public high schools and the influence of various factors on high school choral directors when selecting sacred choral literature for the ...
Melodic Analysis of Lieder of Selected German Composers
(1976)
The purpose of this analysis is to reveal, as far as possible through observation of intervals or patterns of notes, any stylistic distinctions or similarities from a historical perspective within the limits of selections ...
Interprofessional Collaboration Across the Treatment Process in Music Therapy
(2016)
The purpose of this study was to identify common protocols for music therapists who
utilize interprofessional collaboration (IC) in the workplace. Participants were all Board
Certified Music Therapists (N = 595). The ...
An Investigation of the Effects of Teacher Prepared Programmed Tapes, Designed to Enhance Student Listening Abilities on Aural Concept Identification Tasks
(1989)
The purpose of this study was to investigate the level of post-instruction
achievement by 9-10 year old students, in a single school in Silverdale, Washington, who were instructed with teacher-prepared instructional
tapes. ...
Justifying the Study and Performance of Sacred Choral Music in Secondary Public Education
(1991)
The selection of performance literature is one of the most
important tasks a choral conductor undertakes. When the quality of the
music is high, the potential for teaching (and learning) is unlimited.
Each new musical ...
A Study of the Fugue From a Teaching Aspect Through the Examination of Selected Examples From Bach's Well-Tempered Clavier
(1978)
Johann Sebastian Bach's Well-Tempered Clavier provides
many excellent examples for a beginning study of the
fugue. Simple explanations may be made by the teacher,
based on the examples in the work. Then, as the ...
The Application of the Eighteenth Century Concept, "Good Taste" to Georg Friedrich Handel's Violin Sonata in G Minor, op. 1, no. 10
(1979)
The purpose of this paper is to show one way a baroque
violin sonata can be performed today in a style consistent
with eighteenth-century performance styles. It was a common
practice in the eighteenth century for ...
A Comparative Analysis of Two Musical Forms of Renaissance Entertainment
(1987)
The madrigal comedy is a sixteenth-century form of
musical entertainment. In stark contrast to the serious or
dramatic madrigal developing in Italy, the madrigal comedy
combines a loosely fitted outline of a plot with ...