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Sacrifice for nostalgia : the American small-town and the grotesque
(University of Missouri--Columbia, 2012)
The American small-town as a literary construction has been studied extensively in criticism. These studies mostly concentrate on the different manifestations of the small-town America during the 19th and 20th century. In these works, a main thread...
Perspective : cultural contexts, little magazines, and networks
(University of Missouri--Columbia, 2010)
quarterlies has become much larger than the question. And even after this extensive demonstration of the complexity of Perspective, the kind of journal he so bluntly dismissed, his question, if refined and restated more subtly, remains open; however...
Comically serious: trauma and shame in coming-of-age graphic narratives
(University of Missouri, College of Arts and Sciences, 2011)
female-authored narratives best convey ideas of trauma and public versus private spheres. It then looks at these issues in relation to a male-authored coming of age graphic narrative and in relation to the trauma of shame, and argues that this story...
Terrorism and spectacle in White noise and Mao II
(University of Missouri, College of Arts and Sciences, 2013)
This essay analyzes Don DeLillo's White Noise and Mao II in order to demonstrate a progression of his view of the role of the critic in postmodern society. In White Noise, DeLillo conveys his view of the postmodern condition ...
These little towns: land, family, and individuality in the Midwest
(University of Missouri, College of Arts and Sciences, 2013)
I am interested in how current Midwestern writers are continuing to develop the Midwest's literary history, and how they relate to Midwestern artists working in different mediums, but with similar goals. These works stand ...
The resurgence of the moral novel in the wake of 9-11
(University of Missouri--Columbia, 2007)
In this paper, I attempt to correlate the recent rise of the moral novel with the attacks of 9/11. In exploring the definition of moral fiction and briefly tracing its roots in recent history, I attempt to answer the ...
Souvenirs of America: American gift books, 1825-1840
(University of Missouri--Columbia, 2006)
The Token and The Atlantic Souvenir, two of the most popular and successful American gift books between 1825 and 1840, balance claims about the merit and possibility of American literature and art while exploring Americans' ...
"We pay the devil rent for living in hell, 'cause the projects was built on the spot where Lucifer fell" : theorizing Richard Wright's Native son and Iceberg Slim's Pimp as urban neo-slave narratives
(University of Missouri--Columbia, 2010)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] This thesis is devoted to arguing for recognition of the urban neo-slave narrative, and to analyzing two examples of such novels: Richard Wright's ...
Players in control : narrative, new media, and Dungeons & dragons
(University of Missouri--Columbia, 2010)
Scholars who study learning in video games draw direct parallels to tabletop role-playing games (RPGs) like Dungeons & Dragons in terms of the underlying principles that enhance learning. In fact, tabletop RPGs have formed ...
Disruptive soldiers : literary responses to the standing army controversy (1688-1846)
(University of Missouri--Columbia, 2018)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] "The aim of this thesis is to provide a sustained consideration of literary engagements with the Standing Army Controversy in Britain and America from ...
Feminist Applepieville: architecture as social reform in Charlotte Perkins Gilman's fiction
(University of Missouri--Columbia, 2007)
Charlotte Perkins Gilman used her fiction to supplement, or "flesh-out," her theories on the necessity for women's economic independence and emancipation from household work. Women's place, she believed, was alongside men ...
The humanity of inaction: a comparison of Kazuo Ishiguro's Never let me go with Michael Bay's The island
(University of Missouri, College of Arts and Sciences, 2013)
One of the most common reader responses to Kazuo Ishiguro's Never Let Me Go has been to question the passivity of the clones, claiming that this inaction reveals a lack of humanity in characters who are otherwise presented ...
Monuments of human antiquity : William Blake's Milton, a poem as a topographical survey of human creativity
(University of Missouri--Columbia, 2010)
This study explores the influences of the eighteenth-century cultural interest in Antiquity on William Blake's illuminated book Milton, a Poem. Beginning with William Stukeley's guidebooks, Stonehenge, A Temple Restor'd ...
A subject so shocking: the female sex offender in Richardson's Clarissa
(University of Missouri--Columbia, 2006)
Richardson's Clarissa is notable for the shocking rape of it's title character, but what is often critically overlooked about the plot is the presence of female accomplices during the crime. Clarissa's recollection of the ...
Re/presenting traditions: identity, power, and politics in folklife programming
(University of Missouri--Columbia, 2008)
Deliberately playing on the word "tradition," in Re/Presenting Traditions: Identity, Power, and Politics in Folklife Programming, my research interrogates both current practices of re/presenting traditional cultures to the public, as well...
First-year composition and writing center usage
(University of Missouri--Columbia, 2007)
This study began with some initial questions about the interaction between the Composition Program and the Writing Lab at the University of Missouri-Columbia, with the first-year composition student's navigation of that ...
The home as public space and creative initiative
(University of Missouri--Columbia, 2009)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] Until recently, Beat women writers have been overlooked as artists by scholarship. They have been pigeonholed as prostitutes, chicks, or conventional ...
Reluctant sublime
(University of Missouri--Columbia, 2009)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] This dissertation consists of two parts: a critical essay on the Canadian poet Anne Carson's place in the lineage of confessional poetry, as well as ...
Brain catalogue
(University of Missouri--Columbia, 2019)
to reproduce what it is like to think about the world. And because I'm the one doing the thinking, it is in that way autobiographical (a catalogue of my brain, so to speak). The images used herein are either created by myself, in the public domain, or (in...
Race, class, gender and property in women's writing of the Harlem Renaissance
(University of Missouri, College of Arts and Sciences, 2011)
By the 1920s, although slavery had been abolished in America decades before, many social, economic and legal inequalities remained between whites and blacks. This is well-known United States history, although to many, it ...