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Robert Bloomfield (1766-1823)
(University of Missouri--Columbia, 1916)
Text from page ii: The following discussion of the poet, Robert Bloomfield, is divided into four parts: first, a detailed account of the poet's life; second, an account of each of the poet's works, its contents and its ...
Wordsworth's theory of diction
(University of Missouri--Columbia, 1902)
With the questions, "What is Wordsworth's theory of diction?", "Did Wordsworth put his theory into practice?", and, indirectly, though necessarily, "Is Wordsworth's theory a correct one?" this paper purposes to deal. In ...
The other side of the window : an essay on structural iconography in English and American fiction
(University of Missouri--Columbia, 1978)
The purpose of this dissertation is to investigate the structural and symbolic function of the window as a major motif in certain works of nineteenth- and twentieth-century English and American fiction. Within this body ...
The public voice of Richard Crashaw : a study in the use of religious tradition
(University of Missouri--Columbia, 1973)
"It is something of an understatement to say that of all the poets of the seventeenth century, Crashaw has been most subjected to the slings and arrows of outrageous fortune. He has suffered the fate of being labeled the ...
Tudor prose satire : the dynamics of a visual mode
(University of Missouri--Columbia, 1975)
"Peter Bruegel’s Dulle Griet (”Mad Meg”) is a collage of feverish movement replete with monstrous figures, absurd concoctions, and soberly aggressive peasant women. A besieged village forms the lower half of the setting ...
The centrique part : John Donne's Elegies
(University of Missouri--Columbia, 1987)
"An extended study of the Elegies of John Donne is long overdue. Beyond such notable exceptions as "Going to Bed," "The Perfume," and "The Bracelet," the Elegies, overall, constitute a neglected area of Donne's canon. In ...
Sir Philip Sidney : contrasting views on the value and morality of rhetoric and poetry
(University of Missouri--Columbia, 1978)
Sidney’s attitude toward rhetoric passes through three rather distinct stages. At first, he is quite positive toward it, treats it with respect, and, what is perhaps even more important, with enthusiasm. His attitude toward ...
Ben Jonson's relation to Donne
(University of Missouri--Columbia, 1906)
Edmund Gosse in his Life and Letters of John Donne has speculated at some length about the personal relationship between Jonson and Donne. Upon the evidence before him, however, Gosse hesitates to assume that this relationship ...
The forms and extent of Milton's influence upon Thomson, Gray and Collins
(University of Missouri--Columbia, 1908)
The attempt to trace in some detail and to indicate to some extent the influence of Milton upon the conceptions and language of Thomson, Gray, and, Collins; to show that their obligation to him is something more specific ...
The pleasure-pain motif in the poetry of John Keats
(University of Missouri--Columbia, 1972)
This study is intended to show that one of the commonly noted motifs in the poetry of Keats is also a feature of considerable importance. The swift interchange of pleasure and pain or the ability of the poet to be happy ...
The character of Gawain in English literature
(University of Missouri--Columbia, 1961)
, hypothesis, and analog, for their materials are, by their nature, dim and vague, compact with looming shapes and half-hidden meanings. In Chapter Two, I propose to cut a crude trail through their enchanted woods, but without stopping to admire the flowers...
The speaker in the major poems of William Cowper
(University of Missouri--Columbia, 1968)
"The fate of William Cowper as poet may very well turn out to be analogous to what threatened to be the fate of Samuel Johnson: the history of the man will become more important than his literary achievement. Of course the ...
The English sonnet from Wyatt to Milton
(University of Missouri--Columbia, 1904)
In 1557 there was published in London a little volume hardly known to students of English Literature by the name it then bore, but familiarly known from the name of the publisher as Tottel's Miscellany. This book was a new ...
English literature and modern Bengali short fiction : a study in influences
(University of Missouri--Columbia, 1969)
Modern short fiction is defined as a genre which deals, by means of a process of oblique questioning, with the concerns of "submerged population groups." Because answers to these questions are not necessarily supplied by ...
The children in Shakespeare's plays
(University of Missouri--Columbia, 1917)
Text from page 1: In the study of Shakespeare's plays, the major characters have been considered almost exclusively; the minor characters have been largely neglected or ignored. Highly important among these minor characters ...
The nature of nothingness in King Lear
(University of Missouri--Columbia, 1974)
"The approach toward life in the sixteenth century was paradoxical. Writers and thinkers struggled with the questions and problems of life; they tried to determine if life had any value, and if it consisted of something. ...
The structural quality of tone-color in Paradise lost
(University of Missouri--Columbia, 1915)
This paper attempts to show to what extent the various manifestations of tone-color in Paradise Lost have compensated for the absence of rhyme. A chapter is devoted to the assimilative office of tone-color in the poem, ...
Clyomon and Clamydes a critical edition
(University of Missouri--Columbia., 1962)
"Sir Clyomon and Sir Clamydes (Greg, Bibliography, no. 157) was printed by Thomas Creede in 1599--the same year he printed the second quarto of Romeo and Juliet and Greene's Alphonsus, King of Aragon. Like Creede's other ...
Some English words of interest, derived from the French, based on Aiol and La Chanson de Roland
(University of Missouri--Columbia, 1904)
The greater number of English words derived from French probably came into the language either in the period of intercourse between the two countries preceding the Norman conquest, or subsequent to the conquest and as a ...
The Celtic legends and their use in the modern Celtic plays and poetry
(University of Missouri--Columbia, 1914)
The recovery and opening of the Irish legends is undoubtedly the most important phase of the Irish literary movement. The legends contain the very essence of the Irish genius. These stories of "old, unhappy, far-off things" ...