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Value and exchange in Hemingway's The sun also rises
(University of Missouri, College of Arts and Sciences, 2011)
allows them to survive in their world. Exchange is everywhere in the novel, governs the characters and their interactions. By replacing traditional beliefs, based in religion and honor, with rules of compensation, Hemingway is commenting on the new...
Parody and media literacy in "Nathan For You" and [creative final] "Adrift"
(University of Missouri, College of Arts and Sciences, 2016)
Concluding paragraph from Parody and media literacy in "Nathan For You": Over three decades after The Simpsons broke onto the primetime scene, Nathan For You harnesses a brand new form of comedy that makes similar use of ...
Two works in creative non-fiction: The Marine wife and Novosibirsk
(University of Missouri, College of Arts and Sciences, 2011)
as they negotiate their youth and first adult experiences in the shadow of the Iraq War, in an effort to bring a national issue closer to home. Through these pieces, I attempt to examine aspects of history that we tend to disregard: the young military population...
War, trauma, and literature: World War I veterans and the expression of “shell-shock” in literature
(University of Missouri, College of Arts and Sciences, 2015)
The relevance and controversy of Dorothy Parker's works
(University of Missouri, College of Arts and Sciences, 2011)
Dorothy Parker -- writer, poet, satirist, journalist -- was in her literary prime in 1920s and 30s America. America at the time was faced with considerable tensions, much of which was due to the burgeoning Women's Movement. ...
In sympathy : how to read -- and view -- Edith Wharton's The house of mirth
(University of Missouri, College of Arts and Sciences, 2016)
In the second Gilded Age that we live in now, it has been surprising to me to find that Edith Wharton's presence in homes and classrooms has been waning. In order to understand why this is, I turn to one of Wharton's most popular works to find out...
"My madness singing" : the specter of syphilis in Prufrock's Love Song
(University of Missouri, College of Arts and Sciences, 2016)
and the mermaids. Eliot's missed sexual opportunities bothered him, and in a 1962 interview, he acknowledged that he based Prufrock on himself, stating "[i]t was partly a dramatic creation of a man of about 40, ... and partly an expression of feeling of my own...
The nature of nervous conditions in Tsitsi Dangarembga's Nervous conditions
(University of Missouri, College of Arts and Sciences, 2011)
Tsitsi Dangarembga's Nervous Conditions is, primarily, a novel about nervous conditions. It's about many other things, too. It's about power. It's about women. About men and poverty and riches. It's about education and ...
Young adult novels and their film adaptations
(University of Missouri, College of Arts and Sciences, 2011)
When novels first originated in the mid eighteenth century, they were seen as lowbrow and unworthy of serious study. Now, the study of novels is a staple to academia, but certain types of novels are still considered with ...
Filling in the blanks : ambiguity, genre, and reader participation as anti-dictatorial forces in Junot Diaz's The brief wondrous life of Oscar Wao
(University of Missouri, College of Arts and Sciences, 2016)
The widow's place : Mrs. Norris in Mansfield Park
(University of Missouri, College of Arts and Sciences, 2015)
“The most hateful character in Jane Austen's novels,” “a vicious pest,” “Austen's most nearly psychotic creation.” Such is the critical consensus on Mrs. Norris of Mansfield Park: that she is hateful, vicious, and psychotic ...
Ideologies of American oppression: tracing capitalist discourses in 20th century protest literature
(University of Missouri, College of Arts and Sciences, 2016)
Concluding paragraph: "Twentieth century America was a period of rapid expansion and change, and this is represented in the above-analyzed novels. By definition, protest literature exists with the intention to stimulate ...
Beneath, before and beyond: how characters achieve a true identity through alternative education in Song of Solomon, The bear, and Things fall apart.
(University of Missouri, College of Arts and Sciences, 2011)
Dear Reader, let me tell you a story. In Toni Morrison's Song of Solomon, a black man named Milkman goes in search of his true identity. He had grown up learning to be a certain type of person: one who, like his father, ...
Losing sight of literature: the commodity of book packaging
(University of Missouri, College of Arts and Sciences, 2011)
In every young writer's heart there is a dream, a dream that one day all of their hard work will lead to a successful, published novel. And not just any novel, but the next Great American novel that will be taught in classes ...
Racist elevator inspectors, consumer-driven zombies, and the sardonicism that mocks them both in Colson Whitehead's The Intuitionist and Zone One
(University of Missouri, College of Arts and Sciences, 2016)
Concluding paragraph: "In finality, addressing The Intuitionist and Zone One's ultimate goals rely on one motivating factor: progressive justice. Incorporating genre elements into sardonic dialogue about the current racial ...
"Immortal Harps": Milton and musical morality in Handel's Samson
(University of Missouri, College of Arts and Sciences, 2016)
Concluding paragraphs: "If Handel's contemporary James Harris is correct in observing that music and poetry "can never be so powerful singly, as when they are properly united," (152) and that Handel's "Genius ... being ...