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The Kissing party
(University of Missouri--Columbia, 2009)
The Kissing Party is a book of lyric poems that interrogate the tradition of love poetry and attempt to refigure and revivify the work of writers like Marvell, Donne, Carew, and the continental and English sonneteers. Some ...
The symbolic significance of vice in Raymond Carver's What we talk about when we talk about love: blue-collar despair transcending class distinction
(University of Missouri, College of Arts and Sciences, 2011)
Raymond Carver's literary reputation is often defined as a minimalist writer who is known for his ability to effectively chronicle blue-collar despair. Because of his affinity to focus on characters of a lower class ...
Ordination
(University of Missouri--Columbia, 2006)
and boys always seeking to be who they want to be, always aware of who they are. The introductory essay, "Tulle of Satin," recounts the author's return to his small Michigan hometown to promote his book and to read on the public library lawn on the 4th...
Representations of the violently displaced black female self in contemporary African literature: African and African Diaspora Studies scholarly dissertation, & House on a jade sea : creative writing, fiction, dissertation
(University of Missouri--Columbia, 2010)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] Representations of the violently displaced black female self in contemporary African literature is a study of my broad interests in the peculiar ...
Influence: the linked stories of Olive Kitteridge and developing creative work
(University of Missouri, College of Arts and Sciences, 2011)
This collection of stories stemmed from reading Harold Bloom's The Anxiety of Influence. For this project, I chose to “misread” Olive Kitteridge, a Pulitzer Prize winning novel by Elizabeth Strout. Strout's novel is a ...
The January party
(University of Missouri--Columbia, 2008)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] The January Party is an original volume of poems accompanied by a critical essay entitled Graphs of Totality. The poems engage and revise historical ...
Reconstructing gender, personal narrative, and performance at the Michigan Womyn's Music Festival
(University of Missouri--Columbia, 2008)
This ethnographic study examines the Michigan Womyn's Music Festival, a thirty-two-year-old, week-long event that features women performers and relies on an all female staff who produce the event for an audience of women ...
Explicating the incipits : a writer's journey in Italo Calvino's if on a winter's night a traveler
(University of Missouri--Columbia, 2010)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] Much of the scholarly work on Italo Calvino's If on a winter's night a traveler focuses on the importance of the R/reader in the text by looking at ...
Kaylene can't drive : stories
(University of Missouri--Columbia, 2009)
Kaylene Can't Drive: stories is a collection of short fiction about the lives of women, especially women in their twenties, many of whom live in New York City. Running through the stories are recurring themes. In several ...
Still life with rooms people live in
(University of Missouri--Columbia, 2008)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] The following is a collection of poems about the transience of the human world, poems which combine an elegiac embracing of our own insignificance and ...
Against the terrible death
(University of Missouri--Columbia, 2007)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] Against the Terrible Death is a collection of poems about the intersections of history, ancient and comtemporary, personal and public. The collection ...
The diminishing house
(University of Missouri--Columbia, 2007)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] The Diminishing House is a collection of poems in three sections. The first section begins with a series of childhood confrontations of mortality; the ...
Laughter and other lies
(University of Missouri--Columbia, 2007)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] This dissertation contains a collection of twelve short stories as well as a critical essay on the short stories of Ann Beattie. The critical essay ...
Katrina's other disaster : examining second disaster literature and placing post-Katrina New Orleans
(University of Missouri--Columbia, 2014)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This thesis examines the literary treatment of the time period following major natural and manmade disasters known as the "second disaster," which this ...
Adaptation : re-creating the novel as a stage play
(University of Missouri--Columbia, 2010)
The critical introduction examines Linda Hutcheon's notion that the process of adaptation is worthy of observation, and that in analyzing a novelist adapting her own work for the stage, we begin to see how the interiority ...
Deaf identity, motherhood and transforming normalcy : an ethnographic challenge to disability studies' treatment of personal experience narratives
(University of Missouri--Columbia, 2008)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] This thesis is a fieldwork-based examination of personal experience narratives told by Deaf and hearing mothers of Deaf children. Using participant ...
The home as public space and creative initiative
(University of Missouri--Columbia, 2009)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] Until recently, Beat women writers have been overlooked as artists by scholarship. They have been pigeonholed as prostitutes, chicks, or conventional ...
But in the night we are all the same
(University of Missouri--Columbia, 2004)
But In the Night We Are All the Same, a critical dystopian novel, explores the creation and perpetuation of power structures, gender identity, and desire. The protagonist, Lemon, is a member of the oppressed class. She ...