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Big gorgeous jazz machine
(University of Missouri--Columbia, 2018)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This manuscript considers the influence of twentieth-century avant-garde literature and painting in contemporary art comics, particularly the growing sub-genre of comics poetry...
Wordsworth's theory of diction
(University of Missouri--Columbia, 1902)
With the questions, "What is Wordsworth's theory of diction?", "Did Wordsworth put his theory into practice?", and, indirectly, though necessarily, "Is Wordsworth's theory a correct one?" this paper purposes to deal. In ...
Race, class, gender and property in women's writing of the Harlem Renaissance
(University of Missouri, College of Arts and Sciences, 2011)
By the 1920s, although slavery had been abolished in America decades before, many social, economic and legal inequalities remained between whites and blacks. This is well-known United States history, although to many, it ...
A subject so shocking: the female sex offender in Richardson's Clarissa
(University of Missouri--Columbia, 2006)
Richardson's Clarissa is notable for the shocking rape of it's title character, but what is often critically overlooked about the plot is the presence of female accomplices during the crime. Clarissa's recollection of the ...
The January party
(University of Missouri--Columbia, 2008)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] The January Party is an original volume of poems accompanied by a critical essay entitled Graphs of Totality. The poems engage and revise historical genres of poems...
The critique of women in Shakespeare's plays
(University of Missouri, College of Arts and Sciences, 2011)
In many of William Shakespeare's plays, women play a central role in moving the plot forward. These women become catalysts for the drama that unfolds, especially in Shakespeare's tragedies, where the reactions of the other ...
The symbolic significance of vice in Raymond Carver's What we talk about when we talk about love: blue-collar despair transcending class distinction
(University of Missouri, College of Arts and Sciences, 2011)
Raymond Carver's literary reputation is often defined as a minimalist writer who is known for his ability to effectively chronicle blue-collar despair. Because of his affinity to focus on characters of a lower class ...
"My madness singing" : the specter of syphilis in Prufrock's Love Song
(University of Missouri, College of Arts and Sciences, 2016)
Concluding paragraph: "This unpleasant conclusion results from Prufrock's night in the "Pervigilium," since his encounters with ambiguous women and his fears of venereal disease disturb him so much that they distance him ...
From the Bible to Harry Potter : Updating an ancient myth into modern fantasy
(University of Missouri, College of Arts and Sciences, 2016)
The effects of politically manipulated borders : Atwood, Lepucki and St. John Mandel
(University of Missouri, College of Arts and Sciences, 2016)
Fore ðære mærðe mod astige: two new perspectives on the Old English Gifts of men
(University of Missouri--Columbia, 2008)
The Old English poem The Gifts of Men has received little attention in contemporary scholarship, and when it has been referenced in recent decades, the primary trend has been to comment on its unique structure and position ...
Swaddled in white string: breaking loose from the ties of family memory in Everything is illuminated
(University of Missouri--Columbia, 2007)
Author Jonathan Safran Foer traveled to the Ukraine in search of the woman who saved his grandfather from the Nazis, and found nothing. Having intended to write a nonfictional account of his journey and findings, he realized ...
The influence of Fyodor Dostoevsky on E.M. Forster and Virginia Woolf
(University of Missouri--Columbia, 2011)
Dostoevsky's novels intrigued many English novelists when Constance Garnett's translation of The Brothers Karamazov introduced him to English readers in 1912. Both Virginia Woolf and E.M. Forster wrote critically about ...
Untangling the knot: the theory generation, irony, and neoliberalism
(University of Missouri--Columbia, 2022)
Significant typological work has been done in cataloging forms of life, literature, and culture in the alleged aftermath of the epoch of postmodernism, but recent critical works invite deeper considerations of the political ...
Thoreau and eastern spiritual texts: the influence of sacred sound in the writings of Henry David Thoreau
(University of Missouri--Columbia, 2007)
Henry David Thoreau articulated his beliefs through Eastern spiritual ideas of nature and its cycles. From his own account, he was an iconoclast and bore no one religious stamp; however, the Hindu idea that nature is our ...
The diminishing house
(University of Missouri--Columbia, 2007)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] The Diminishing House is a collection of poems in three sections. The first section begins with a series of childhood confrontations of mortality; the poems in the following two...
Brain catalogue
(University of Missouri--Columbia, 2019)
Brain Catalogue is a creative dissertation that combines comics and nonfiction. Specifically, it deals with the type of nonfiction often called the essay. It is an experimental autobiography that is broken down across four ...
Omission of the central action in the English and Scottish popular ballads
(University of Missouri--Columbia, 1914)
There are four main divisions of the examples of omission and suspense: minor omissions, suspense, omission of the central motive, and omission of the central action. The term "minor omissions" includes not only the ...
Let your conscience be your guide : or else Shakespeare and questions of the conscience in Richard, Duke of York and Richard III
(University of Missouri--Columbia, 2010)
This master's thesis investigates William Shakespeare's development and treatment of the conscience in his plays Richard, Duke of York and Richard III. This study and investigation derive from a point of academic contention ...
Postwar masculine identity in Ann Bannon's I am a woman
(University of Missouri--Columbia, 2009)
Postwar men experienced an identity destabilization that was unique to the era. Lesbian pulp fiction provided the opportunity for heterosexual men to "try on" alternate identities while simultaneously asserting their ...