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The American dream and the margins in twentieth century fiction
(University of Missouri--Columbia, 2009)
are characterized by narrative doubling, with characters possessing normative American attributes (money, a good job, a stable home life) paired with marginalized opposites who possess a more fluid, creative, and multiplicitous sense of identity. The narrative, then...
Triptych : essays of place and travel
(University of Missouri--Columbia, 2012)
returned after leaving the airline job, and also an essay about Hurricane Katrina relief efforts. Part Three includes essays that meditate on the terrain of suburbia, domesticity and identity, and essays that return to provide closure to the airline...
Sharp things, or the silver lines are not scars
(University of Missouri--Columbia, 2019)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] This novel is the story of Tianne, a twenty-eight-year-old stained glass artist. She works two part-time jobs as a clerk at a stained glass supply store, and as an adjunct...
Perspective : cultural contexts, little magazines, and networks
(University of Missouri--Columbia, 2010)
that the central coterie only accounted for 25-30% of the published texts in the journal. That means that more than 70% of the journal's text contained new and rarely published authors, and if that's the case the journal truly was doing its job. Furthermore, many...
Deaf identity, motherhood and transforming normalcy : an ethnographic challenge to disability studies' treatment of personal experience narratives
(University of Missouri--Columbia, 2008)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] This thesis is a fieldwork-based examination of personal experience narratives told by Deaf and hearing mothers of Deaf children. Using participant ...
The graduate student novel: a new subgenre in university fiction
(University of Missouri--Columbia, 2022)
This study examines novels with graduate student protagonists, referred to as graduate student novels or grad novels, and argues that such novels should be considered distinct from others about university experiences. It ...
The humanity of inaction: a comparison of Kazuo Ishiguro's Never let me go with Michael Bay's The island
(University of Missouri, College of Arts and Sciences, 2013)
One of the most common reader responses to Kazuo Ishiguro's Never Let Me Go has been to question the passivity of the clones, claiming that this inaction reveals a lack of humanity in characters who are otherwise presented ...
Judgments on witness reliability from written transcripts
(University of Missouri, College of Arts and Sciences, 2011)
A myriad of research has been done on the ways in which different linguistic features can affect perceptions made about the speaker. The judgments made about a speaker can be particularly important in legal settings, like ...
The home as public space and creative initiative
(University of Missouri--Columbia, 2009)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] Until recently, Beat women writers have been overlooked as artists by scholarship. They have been pigeonholed as prostitutes, chicks, or conventional ...
The Personal Essay and the Memoir: A Comparison
(University of Missouri, College of Arts and Sciences, 2015)
This thesis will attempt to put into perspective the various differences between the personal essay and the memoir. Furthermore, it will discuss why the personal essay is more useful for the creative portion of the thesis. ...
Selling you on flexibility : toward a flexible framework for reflexive administration of writing centers
(University of Missouri--Columbia, 2021)
Training tutors has historically been and continues to be one of the most important, as well as the most labor- and time-intensive needs that directors of writing centers are called to address. As technological advancements ...
One last good time
(University of Missouri--Columbia, 2007)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] This dissertation consists of a book-length work of short fiction preceded by an essay called "In Defense of Starting Early." The ten stories that ...
Parody and media literacy in "Nathan For You" and [creative final] "Adrift"
(University of Missouri, College of Arts and Sciences, 2016)
Concluding paragraph from Parody and media literacy in "Nathan For You": Over three decades after The Simpsons broke onto the primetime scene, Nathan For You harnesses a brand new form of comedy that makes similar use of ...
Nineteenth-century literary women and the temperance tradition : temperance rhetoric in the fiction of Lydia Sigourney, Frances Ellen Watkins Harper, Rebecca Harding Davis and Elizabeth Stuart Phelps
(University of Missouri--Columbia, 2007)
Although historically scholars have viewed nineteenth-century temperance as a lesser movement in a century characterized by other weighty reforms, this dissertation builds on recent scholarship that redirects attention to ...
Hiding in plain sight : anonymity across adaptations of Miklos Laszlo's Illatszertar (Parfumerie)
(University of Missouri--Columbia, 2023)
Director Ernst Lubitsch's romantic comedy film The Shop Around the Corner has inspired multiple adaptations since its release in 1940. In it, two shop clerks fall in love through anonymous letters while detesting each other ...
Comic relief
(University of Missouri, College of Arts and Sciences, 2013)
This original play focuses on the character of Jaime who goes on a journey of self-discovery as she pursues her dream of being a standup comedian.
The ties that bind
(University of Missouri--Columbia, 2022)
Inspired by Alexander Chee's recent How to Write an Autobiographical Novel, a memoir-in-essays, "The Ties that Bind" is lyric, personal, and a coming-of-age collection of nonfiction. In "Swimming Lessons," Bryn Chambers ...
Pulled out of the land: the poetry of Seamus Heaney and its usage of the past
(University of Missouri, College of Arts and Sciences, 2013)
The culture someone grows up in helps to define that person, for better or for worse. This culture steeps itself into the writer's work, and helps make the writer into who he or she is. For Seamus Heaney, this steeping was ...
The symbolic significance of vice in Raymond Carver's What we talk about when we talk about love: blue-collar despair transcending class distinction
(University of Missouri, College of Arts and Sciences, 2011)
Raymond Carver's literary reputation is often defined as a minimalist writer who is known for his ability to effectively chronicle blue-collar despair. Because of his affinity to focus on characters of a lower class ...
The relevance and controversy of Dorothy Parker's works
(University of Missouri, College of Arts and Sciences, 2011)
Dorothy Parker -- writer, poet, satirist, journalist -- was in her literary prime in 1920s and 30s America. America at the time was faced with considerable tensions, much of which was due to the burgeoning Women's Movement. ...