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Now showing items 1-6 of 6
The cult of Rodin : words, photographs, and colonial history in the spread of Auguste Rodin's reputation in northeast Asia
(University of Missouri--Columbia, 2006)
exhibition in Japan, Korea, and China held in 1966, 1985, and 1993, respectively, this study argues that wide dissemination of images and written accounts of the sculptor's works, fueled by each country's urge to emulate the culture of the West, created a...
Regional variation in protopalatial Crete?: a comparison of Minoan domestic and funerary architecture in Eastern and Central Crete
(University of Missouri--Columbia, 2007)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This study investigates the existence and extent of regional variation in Crete in the Protopalatial period (Middle Minoan IB-II) as reflected in the material record besides...
Dedications in clay : terracotta figurines in early Iron Age Greece (c. 1100-700 BCE)
(University of Missouri--Columbia, 2007)
This dissertation explores early Greek religion and society through a contextual analysis of the ritual use of terracotta votive figurines in the Early Iron Age, c. 1100-700 BCE. I have compiled the major deposits of terracotta figurines (both...
Death and burial in ancient Alexandria: the Necropolis of Moustapha Pasha
(University of Missouri--Columbia, 2007)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] As study of the Alexandrian monumental rock-cut tombs in the eastern necropolis of Moustapha Pasha, leads to a re-examination of their artifacts, architectural features...
Roman Egypt : change amid continuity in the art and architecture of an Eastern Imperial Province
(University of Missouri--Columbia, 2007)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] The Roman province of Aegyptus has most often been considered from an administrative, governmental, or economic perspective while its art and architecture has usually been...
Painting the wine-dark sea : traveling Aegean fresco artists in the Middle and late Bronze Age Eastern Mediterranean
(University of Missouri--Columbia, 2008)
that the Aegean was well-known for its artistic accomplishments and that Aegean goods and the artisans that produced them were treated as elite commodities. This evidence ties the artisans into a context of royal gift exchange. Since frescoes themselves cannot...