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A Sound Spectra Analysis of Two Trumpet Embouchure Techniques
(1978-07-10)
The purpose of this study was to compare photographically upper and lower lip inversion of two contrasting trumpet embouchure techniques, to determine and compare air flow direction as influenced by these embouchure ...
A Manual for Organizing a Renaissance Collegium
(1977)
The purpose of this manual is to assist musicians that are forming Renaissance Collegiums, specifically on the college level. The author has formed two such ensembles, one at the University of Missouri-Kansas City, and the ...
Intonation Factors of the Flute, Clarinet, and Saxophone
(1979)
The purpose of this study is to investigate intonation factors of the flute, clarinet, and saxophone. Suggested physical adjustments by the performer as well as mechanical adjustments to the instruments themselves will be ...
The Role of the Vocal Consultant in an Elementary School Program
(1971)
It is the purpose of this paper to discuss
the advantages and disadvantages of hiring a vocal music
consultant, a specialized music instructor to guide
elementary children in an enjoyable singing experience
and to ...
Piano Concerto, Opus 39—Ferruccio Busoni: A Study of the Stylistic Trends in Art and Music from 1850-1925 and Their Influence on Busoni's Compositional Techniques
(1970)
This paper details the artistic endeavors of the late Romantic and Neo-Classical periods and the influence of other composers, such as Liszt and Wagner, on Busoni. The second half of the paper is dedicated to exploring the ...
Textual Considerations in the Quotations of Gospel Hymn Tunes and Other Familiar Material in the Symphonies of Charles Ives
(1976)
This paper focuses on the biographical connection to the use of musical quotations in the works of Charles Ives. Hymn tune use is emphasized. Three differing theories proposed by other authors are considered and debated.
The Evolution of Pedal Tone Systems for Trumpet and Their Relationship to the Increased Trumpet Range in Big Bands From 1940 to 1970
(1976-07)
The music of the twentieth century has placed tremendous
physical and technical demands upon the musician. The trumpet, in particular, has been exploited
to its ultimate just in the past twenty-five years; so much so
that ...