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Connecting the dots: a history of Stephen Sondheim's Sunday in the Park with George
(University of Missouri--Kansas City, 2012-05-22)
This thesis is a history of Stephen Sondheim's musical Sunday in the Park with George (1984), which was inspired by Georges Seurat's masterpiece: Un dimanche à la Grande Jatte (1886). By first examining the lives and ...
(In)Visible: performances of gay and lesbian dramatic literature on the American stage from 1910 to 1969
(University of Missouri--Kansas City, 2012-05-01)
(In)Visible: Performances of Gay and Lesbian Dramatic Literature on the American Stage from 1910 to 1969 provides a decade-by-decade analysis of plays with queer content from the 1910s to the 1960s. The aim is to chronicle ...
Toby Dick Ellis: Richard Elsenpeter's career in tent repertoire theatre, television, and marionette puppetry
(University of Missouri--Kansas City, 2012-05-25)
Richard Elsenpeter was a Midwestern actor who began his career in repertoire and circle stock in the mid-twentieth century. He dedicated his life to the pursuit of rural, family entertainment and took pleasure in entertaining ...
Joanna Baillie: The Theory in Her Plays on the Passions and an Analysis of Four Dramas Within that Series
(University of Missouri--Kansas City, 2010)
This thesis examines the theatre theory as outlined by Joanna Baillie in the Introductory Discourse to her Series of Plays in Which it is Attempted to Delineate the Stronger Passions of the Mind: Each Passion Being the ...
Living and acting in Kansas City versus Southern California
(University of Missouri--Kansas City, 2011-05-31)
The purpose of this thesis is to compare theatre students' and recent theatre student alumni's descriptions of acting opportunities in Kansas City versus Southern California. Students from Southern California and Kansas ...
The Coterie Theatre’s Transition from Children’s Theatre to Multigenerational Theatre: 1991-2014
(2015)
The programming of The Coterie Theatre of Kansas City, Missouri, under Artistic
Director Jeff Church, was studied from September 1990 to August 2014. The works
researched included world, commissioned and American premieres ...
Mamet On Mamet: Politics and Poetics in Oleanna, Race, The Anarchist, and China Doll
(2016)
Mamet on Mamet: Politics and Poetics in Oleanna, Race, The Anarchist, and
China Doll” aims to illuminate Mamet’s mature aesthetic through a close examination of
four of his later plays. The thesis blends textual ...
August Wilson’s Century Cycle: Preserving History and Honoring African Rituals Through the Proverb of the Sankofa
(2016)
August Wilson’s Century Cycle has been studied by scholars as a documentation
of the history of African Americans. His ten plays in that cycle use historical events to
chronicle the African American experience in ...
A Gathering of Voices: Storytelling with Nilo Cruz and Students in the Urban Core
(2016)
“A Gathering of Voices: Storytelling with Nilo Cruz and Students in the Urban Core”
examines the importance of storytelling and the impact it can have in our lives through
theatre, literature, and our own context and ...
Directing Molière: Presenting the French Master to American Audiences
(2016)
This thesis examines the presentation of the plays of Molière by American directors
for American audiences. How have his works been produced and reimagined by directors
from his own country? What are the qualities ...
Women Artistic Directors in Kansas City and Their Processes
(2015)
This thesis is an overview of several important women artistic directors who have
helped form the recent Kansas City theatre landscape. Cynthia Levin, Jeanne Beechwood,
Sidonie Garrett, Karen Paisley, and Heidi Van are ...
Emerging from the Ground: The Meaning of Messiah in August Wilson’s Pittsburgh Cycle
(2013)
Pittsburgh playwright and poet August Wilson wrote a series of ten plays in which each play
is set in a different decade of the twentieth century. This series of plays is often referred to as the
Pittsburgh Cycle. The ...
Redating Pericles: A Re-examination of Shakespeare’s Pericles as an Elizabethan Play
(2015)
Pericles's apparent inferiority to Shakespeare’s mature works raises many questions for
scholars. Was Shakespeare collaborating with an inferior playwright or playwrights? Did he
allow so many corrupt printed versions ...
Nashville Community Theatre: from the Little Theatre Guild to the Nashville Community Playhouse
(University of Missouri--Kansas City, 2012-04-26)
In the early 20th century the Little Theatre Movement swept through the United
States. Theatre enthusiasts in cities and towns across the country sought to raise the
standards of theatrical productions by creating quality ...
Laurie Brooks: a coterie of plays and concepts
(University of Missouri--Kansas City, 2012-06-01)
Laurie Brooks: A Coterie of Plays and Concepts aims to give a detailed look at the style, content, and contributions of the plays of Laurie Brooks to theatre and Theatre for Young Audiences (TYA). The thesis also focuses ...
The changing face of Joan of Arc: the appropriation of Joan of Arc in twentieth-century American theatre
(University of Missouri--Kansas City, 2012-08-24)
The Changing Face of Joan of Arc: The Appropriation of Joan of Arc in Twentieth-century American Theatre shows that the evolution of Joan of Arc's image reflected the culture of each era, and illustrated the changing social ...
Picasso : theatre artist
(University of Missouri--Kansas City, 2012-09-27)
Picasso: Theatre Artist is centered upon Pablo Picasso‟s work in the theatrical field. Pablo Picasso is internationally known as a Spanish painter who championed the Cubist perspective in graphic art. However, his extensive ...
Setting the Stage for Kansas City talent and Diversity The KC Meltingpot Theatre
(2015)
This thesis aims to chronicle the origins of The KC MeltingPot Theatre Company, owned and operated by Kansas City area couple Harvey and Linda Williams. The primary focus will be on the works produced by The KC MeltingPot ...
Hello, Cruel World: Antonin Artaud’s Pursuit of Primal Theatre
(2016)
This thesis delves into the most volatile years of the notoriously volatile life of French
poet and theatrical theorist Antonin Artaud (1896–1948). At the heart of the research is an
examination of his voyages to Mexico ...
Getting to Know Rodgers and Hammerstein: Education and Adaptation in 21st-century performance
(2020)
Richard Rodgers and Oscar Hammerstein II forever changed the face of American musical theatre when Oklahoma! opened on Broadway in 1943. This collaboration is often cited by historians as the first fully-integrated book ...