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Now showing items 1-6 of 6
Contextus ad absurdum
(University of Missouri--Columbia, 2010)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] Using clashing fields of referents, an ornate, mystical aesthetic, printmaking, PowerPoint, and glitter, this creative research fuses Baroque and ...
VORFREUDE, substitutes for personal fulfillment
(University of Missouri--Columbia, 2014)
The fragility of knowledge
(University of Missouri--Columbia, 2005)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] In this exhibition of assemblage sculpture works, I incorporate fragmented elements and light projectors to simultaneously convey an objectification ...
Artifacts and fantasy
(University of Missouri--Columbia, 2007)
Memory like emotions, cannot be experienced in the past. It may be experienced only in the present. These are representations that form our perceptions of the past, present and future. Most individuals have a tendency to ...
Objects of affection
(University of Missouri--Columbia, 2008)
I have always been fascinated by the mystery in old things and the relationships that we form with the inanimate. Many people project emotional and psychological importance onto personal possessions. They are a source of ...
The art of persuasion : critiquing China's new middle class by multi-perspective storytelling mode
(University of Missouri--Columbia, 2009)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] My work is a critique of China's New Middle Class's tasteless manners. The New Middle Class in China have attempted to use "good taste" as a means of ...