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The Coterie Theatre’s Transition from Children’s Theatre to Multigenerational Theatre: 1991-2014
(2015)
The programming of The Coterie Theatre of Kansas City, Missouri, under Artistic
Director Jeff Church, was studied from September 1990 to August 2014. The works
researched included world, commissioned and American premieres ...
Family Systems Theory in Chekhov’s ‘Big Four’ Plays
(University of Missouri -- Kansas City, 2018)
This thesis discusses the Bowen family systems theory and its application to character
analysis and family relationships in drama. Chekhov’s plays are renowned for their
psychological realism. Each character has his ...
Theatre for Young America: A History
(2015-05-19)
In the spring of 1974, a family of actors has recently landed in Kansas City,
Missouri. Father, Gene Mackey, is working for one of the areas four professional dinner
theatres and has been authorized by his employer to ...
Connecting the dots: a history of Stephen Sondheim's Sunday in the Park with George
(University of Missouri--Kansas City, 2012-05-22)
This thesis is a history of Stephen Sondheim's musical Sunday in the Park with George (1984), which was inspired by Georges Seurat's masterpiece: Un dimanche à la Grande Jatte (1886). By first examining the lives and ...
The legacy behind Literature to Life: a history and narrative of Wynn Handman, The American Place Theatre and Literature to Life
(2013)
Literature to Life is a performance-based literacy program developed under the
auspices of The American Place Theatre in New York City (1994). The American Place
Theatre was founded in 1964 and stewarded by the artistic ...
A Gathering of Voices: Storytelling with Nilo Cruz and Students in the Urban Core
(2016)
“A Gathering of Voices: Storytelling with Nilo Cruz and Students in the Urban Core”
examines the importance of storytelling and the impact it can have in our lives through
theatre, literature, and our own context and ...
Staging The Merchant of Venice in the 21ˢᵗ Century: A Dramaturgical Case Study
(2015-08-12)
“Staging The Merchant of Venice in the 21ˢᵗ Century: A Dramaturgical Case Study”
aims to document the Heart of America Shakespeare Festival’s 2015 production of The
Merchant of Venice by framing it within the historical ...
Getting to Know Rodgers and Hammerstein: Education and Adaptation in 21st-century performance
(2020)
Richard Rodgers and Oscar Hammerstein II forever changed the face of American musical theatre when Oklahoma! opened on Broadway in 1943. This collaboration is often cited by historians as the first fully-integrated book ...