Search
Now showing items 1-20 of 56
Philanthropic tourism and artistic authenticity : cultural empathy and the western consumption of Kyrgyz art
(University of Missouri--Columbia, 2010)
research in Kyrgyzstan and at the Santa Fe International Folk Art Market. I begin with the question: what happens to traditions and to the people who practice them when they are actively mediated and placed for sale outside of their culture? It is my...
Re/presenting traditions: identity, power, and politics in folklife programming
(University of Missouri--Columbia, 2008)
Deliberately playing on the word "tradition," in Re/Presenting Traditions: Identity, Power, and Politics in Folklife Programming, my research interrogates both current practices of re/presenting traditional cultures to the public, as well...
Science frictions : science, folklore, and "the future"
(University of Missouri--Columbia, 2019)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] Folklore and science, along with the subject of the future which has slowly over time worked its way into the discourses of both, have a long, complicated history together. One...
Reconstructing gender, personal narrative, and performance at the Michigan Womyn's Music Festival
(University of Missouri--Columbia, 2008)
is more than a site to watch musicians perform. Participants have created a culture that foregrounds a worldview that includes safe space, personal authorization, and celebration of women's experience, work, and art. Through insider participant...
"We pay the devil rent for living in hell, 'cause the projects was built on the spot where Lucifer fell" : theorizing Richard Wright's Native son and Iceberg Slim's Pimp as urban neo-slave narratives
(University of Missouri--Columbia, 2010)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] This thesis is devoted to arguing for recognition of the urban neo-slave narrative, and to analyzing two examples of such novels: Richard Wright's Native son and Iceberg Slim...
Studies in oral tradition: history and prospects for the future
(University of Missouri--Columbia, 2007)
This thesis discusses the inauguration, development, and recent directions in studies in oral tradition. The first chapter focuses on the advancements of Milman Parry and Albert B. Lord, first examining briefly the history ...
Losing sight of literature: the commodity of book packaging
(University of Missouri, College of Arts and Sciences, 2011)
the ideals of what it is to be a writer. In this essay, I will question whether or not these precooked ideas can still be considered art with any literary value, or if they're simply commodities to companies consumed with the desire for money rather than...
Racist elevator inspectors, consumer-driven zombies, and the sardonicism that mocks them both in Colson Whitehead's The Intuitionist and Zone One
(University of Missouri, College of Arts and Sciences, 2016)
revolutionary thoughts and new ideas -- a massive overhaul in society's understandings of marginalized communities and identities. Authors of color bear witness to the lack of revolution of their predecessors, those who actively participated in public, written...
Linguistics peculiarities of contemporary feline narrative
(University of Missouri--Columbia, 2022)
"naturalization" of the narrative world. The objectives of this paper are to establish specificity of a feline focalization through "cats" thesaurus, angle of view and "cat" etymology (notion based on folk etymology). The methodology of analysis is based...
Time-binding in African American verbal art as a salve for post-traumatic slave syndrome
(University of Missouri--Columbia, 2009)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] In the same vein of their spiritual forbearers, the African griots, African American wordsmiths utilize their time-binding capabilities in oral performances to reenact...
Policing the boundaries of whiteness : monsters made in the USA
(University of Missouri--Columbia, 2019)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] This dissertation explores institutionalized racism in American culture that signifies through the Reconstruction era Klansman, the folklore of the Night Doctor, and what I...
Postwar masculine identity in Ann Bannon's I am a woman
(University of Missouri--Columbia, 2009)
Postwar men experienced an identity destabilization that was unique to the era. Lesbian pulp fiction provided the opportunity for heterosexual men to "try on" alternate identities while simultaneously asserting their ...
Feminist Applepieville: architecture as social reform in Charlotte Perkins Gilman's fiction
(University of Missouri--Columbia, 2007)
Charlotte Perkins Gilman used her fiction to supplement, or "flesh-out," her theories on the necessity for women's economic independence and emancipation from household work. Women's place, she believed, was alongside men ...
Interrogating transnational media representations of "harmful" bodylore
(University of Missouri--Columbia, 2018)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] The category of "harmful" cultural practices' has become a central and defining concept in global health and development policy. A key target of Sustainable Development Goal 5...
Of the burning
(University of Missouri--Columbia, 2018)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] "Of the Burning" is a hybrid collection of nonfiction essays and sermon-poems. The narrative threads weaved through the collection include original archival research...
On poetry : the emergence and function of meaning
(University of Missouri--Columbia, 2020)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI--COLUMBIA AT REQUEST OF AUTHOR.] On Poetry: The Emergence and Function of Meaning is intended to contribute to the scholarship of poetics and literary theory. The work is divided into three section...
When trying to return home : stories
(University of Missouri--Columbia, 2020)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI--COLUMBIA AT REQUEST OF AUTHOR.] This dissertation includes the critical introduction "My Mother is My Homeland: Subversive Representations of the Black Puerto Rican Matriarch" and a collection...
Composing aromanticism
(University of Missouri--Columbia, 2021)
for aromantic people to communicate to those who don't identify or aren't familiar with the term - it also often leaves aromantics themselves uncertain as to how they might put their perspectives and experiences to words (much less music, visual art, and so on...
On marvellous things seen and heard
(University of Missouri--Columbia, 2009)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] Derived formally from Aristotle's Minor Work of the same title, my variation of "On Marvellous Things [Seen and] Heard" explores a range of literary appropriations of art...
The home as public space and creative initiative
(University of Missouri--Columbia, 2009)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] Until recently, Beat women writers have been overlooked as artists by scholarship. They have been pigeonholed as prostitutes, chicks, or conventional homemakers. They deserve...