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Theatre for Young America: A History
(2015-05-19)
In the spring of 1974, a family of actors has recently landed in Kansas City,
Missouri. Father, Gene Mackey, is working for one of the areas four professional dinner
theatres and has been authorized by his employer to ...
The Coterie Theatre’s Transition from Children’s Theatre to Multigenerational Theatre: 1991-2014
(2015)
The programming of The Coterie Theatre of Kansas City, Missouri, under Artistic
Director Jeff Church, was studied from September 1990 to August 2014. The works
researched included world, commissioned and American premieres ...
Living and acting in Kansas City versus Southern California
(University of Missouri--Kansas City, 2011-05-31)
The purpose of this thesis is to compare theatre students' and recent theatre student alumni's descriptions of acting opportunities in Kansas City versus Southern California. Students from Southern California and Kansas ...
Staging The Merchant of Venice in the 21ˢᵗ Century: A Dramaturgical Case Study
(2015-08-12)
“Staging The Merchant of Venice in the 21ˢᵗ Century: A Dramaturgical Case Study”
aims to document the Heart of America Shakespeare Festival’s 2015 production of The
Merchant of Venice by framing it within the historical ...
Theatre of community: healing functions of theatre in society
(2013)
This thesis addresses multiple social and
psychological implications found within three types of
theatre and their communities and audiences. In particular
it embraces the theory that people can benefit from the
group-healing ...
No Way Out: Violence in Selected American Expressionist Plays
(University of Missouri--Kansas City, 2017)
This thesis discusses the American expressionist plays of the 1920s and the acts of
violence that occur in several of them. The expressionist plays of Eugene O’Neill, Elmer Rice,
Sophie Treadwell, and Susan Glaspell ...
We Happy Few: An Exploration of the Feast of Crispian and Military Stories in Shakespeare
(University of Missouri--Kansas City, 2018)
This thesis examines the theatre group Feast of Crispian, a non-profit organization which
brings together professional actors with post-deployment service veterans. The group
formed in 2012 and is in the process of ...
Battles of the sexes onstage: explorations of changing Gender roles by four American women playwrights of the 1910s-1930s
(2014-07-30)
Battle of the Sexes Onstage: Explorations of Changing Gender Roles by Four American Women Playwrights of the 1910s-1930s analyzes plays by Rachel Crothers, Susan Glaspell, Sophie Treadwell, and Dawn Powell in order to ...
Emerging from the Ground: The Meaning of Messiah in August Wilson’s Pittsburgh Cycle
(2013)
Pittsburgh playwright and poet August Wilson wrote a series of ten plays in which each play
is set in a different decade of the twentieth century. This series of plays is often referred to as the
Pittsburgh Cycle. The ...
The changing face of Joan of Arc: the appropriation of Joan of Arc in twentieth-century American theatre
(University of Missouri--Kansas City, 2012-08-24)
The Changing Face of Joan of Arc: The Appropriation of Joan of Arc in Twentieth-century American Theatre shows that the evolution of Joan of Arc's image reflected the culture of each era, and illustrated the changing social ...
The legacy behind Literature to Life: a history and narrative of Wynn Handman, The American Place Theatre and Literature to Life
(2013)
Literature to Life is a performance-based literacy program developed under the
auspices of The American Place Theatre in New York City (1994). The American Place
Theatre was founded in 1964 and stewarded by the artistic ...
Connecting the dots: a history of Stephen Sondheim's Sunday in the Park with George
(University of Missouri--Kansas City, 2012-05-22)
This thesis is a history of Stephen Sondheim's musical Sunday in the Park with George (1984), which was inspired by Georges Seurat's masterpiece: Un dimanche à la Grande Jatte (1886). By first examining the lives and ...
(In)Visible: performances of gay and lesbian dramatic literature on the American stage from 1910 to 1969
(University of Missouri--Kansas City, 2012-05-01)
(In)Visible: Performances of Gay and Lesbian Dramatic Literature on the American Stage from 1910 to 1969 provides a decade-by-decade analysis of plays with queer content from the 1910s to the 1960s. The aim is to chronicle ...
A Gathering of Voices: Storytelling with Nilo Cruz and Students in the Urban Core
(2016)
“A Gathering of Voices: Storytelling with Nilo Cruz and Students in the Urban Core”
examines the importance of storytelling and the impact it can have in our lives through
theatre, literature, and our own context and ...
Redating Pericles: A Re-examination of Shakespeare’s Pericles as an Elizabethan Play
(2015)
Pericles's apparent inferiority to Shakespeare’s mature works raises many questions for
scholars. Was Shakespeare collaborating with an inferior playwright or playwrights? Did he
allow so many corrupt printed versions ...
The show-man goes to war: a full-length play
(2013)
This project is intended to educate and entertain audiences by presenting them with a
creative interpretation of war-time resistance. Using the city of Arnhem, located in the
Netherlands, as the location for the play, ...
August Wilson’s Century Cycle: Preserving History and Honoring African Rituals Through the Proverb of the Sankofa
(2016)
August Wilson’s Century Cycle has been studied by scholars as a documentation
of the history of African Americans. His ten plays in that cycle use historical events to
chronicle the African American experience in ...
Jet Propulsion : a play about John Whiteside Parsons
(2013)
Jet Propulsion, a two-act drama on the life of John Whiteside Parsons, is the candidate's thesis, along with the essay "American Weird: Researching John Whiteside Parsons, the Occult Religion of Aleister Crowley and the ...
Directing Molière: Presenting the French Master to American Audiences
(2016)
This thesis examines the presentation of the plays of Molière by American directors
for American audiences. How have his works been produced and reimagined by directors
from his own country? What are the qualities ...
Joanna Baillie: The Theory in Her Plays on the Passions and an Analysis of Four Dramas Within that Series
(University of Missouri--Kansas City, 2010)
This thesis examines the theatre theory as outlined by Joanna Baillie in the Introductory Discourse to her Series of Plays in Which it is Attempted to Delineate the Stronger Passions of the Mind: Each Passion Being the ...