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Now showing items 681-687 of 687
The eight leaves
(University of Missouri--Columbia, 2009)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] The creative dissertation The Eight Leaves is a deconstructed memoir, composed in a series of inter-connected lyric essays structured in a ring ...
Adaptation : re-creating the novel as a stage play
(University of Missouri--Columbia, 2010)
The critical introduction examines Linda Hutcheon's notion that the process of adaptation is worthy of observation, and that in analyzing a novelist adapting her own work for the stage, we begin to see how the interiority ...
Ghost Fists
(University of Missouri--Kansas City, 2016)
Ghosts animate the stories and essays of this collection in ways both
bodied and disembodied—as loops, as refrains, as stories that can’t be outrun.
Moving across time and space to consider collective memory in Cambodia, ...
A life of process and progress: the influence of writer Donald M. Murray
(University of Missouri--Columbia, 2010)
With his pronouncement to "teach writing as a process, not a product" in 1972, Donald (Don) Murray (1924-2006) enacted an approach to writing shared by like-minded scholars that would become termed the "writing process ...
Raising awareness and encouraging action : evaluating professional training as a means to strengthen work routines among environmental communication practitioners
(University of Missouri--Columbia, 2020)
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] Although environmental threats have been around for a while, now, more than ever, people are aware of their impacts and consequences. Environmental ...
"Written So You Can Understand It" : the process and people behind creating an issue of Popular Mechanics
(University of Missouri--Columbia, 2013)
At 112 years old, Popular Mechanics has one of the longest legacies in magazines. Looking at the editorial process, editor-in-chief Jim Meigs talks about what makes great science journalism at Popular Mechanics. He talks ...
Opus Ignotum
(2022)
“Vocibus concide,” Ennius commanded, in the single line of an otherwise lost work preserved in Varro’s De lingua latina: “With words destroy him.” Not even Ennius’ context did Varro record, only the imperative that an ...