dc.contributor.advisor | Chen, Yi, 1953- | |
dc.contributor.author | Amiryan, Tatev | |
dc.date.issued | 2016 | |
dc.date.submitted | 2016 Fall | |
dc.description | Title from PDF of title page, viewed February 22, 2017 | |
dc.description | Dissertation advisor: Chen Yi | |
dc.description | Vita | |
dc.description | Thesis (D.M.A.)--Conservatory of Music and Dance. University of Missouri--Kansas City, 2016 | |
dc.description.abstract | The Birth of the Eternal is a one-movement composition for string orchestra, piano and
percussion. It is written as a centennial commemoration of the 1915 Armenian Genocide and
honors the memory of the victims of the Genocide. The piece symbolizes rebirth and revival and
accentuates the power of belief. The main aspects that contribute to the realization of the idea of
the piece are its instrumentation, form, harmonic language and texture. In the piece, instrumental
timbres play specific roles in regard to the message of remembering. The chimes, representing
church bells, symbolize the undying memory of the martyrs of the Genocide. The static nature
and the stretched sounds of the string section aim to create a feeling of the eternal and work in
combination with the chimes. The piano serves as a narrator and through this part I express my
own feelings and look to the past. The vibraphone aims to create a feeling of spiritual awakening
in combination with the strings. It also supports the narrative function of the piano. The piece has a sectional, sequential structure that is similar to liturgy. The absence of
contrasts and dramatic conflict is explained by the spiritual nature of the composition. The
musical language is tonal and is based mostly on minor keys. A major key is established for the
first time only at the very end of the piece, thus highlighting its main concept – moving through
darkness to light. The texture is mostly light, transparent and ethereal, in accordance with the
main message of the composition. | eng |
dc.description.tableofcontents | Abstract -- Instrumentation -- Program notes -- The birth of the eternal -- Vita | |
dc.format.extent | viii, 16 pages | |
dc.identifier.uri | https://hdl.handle.net/10355/58438 | |
dc.publisher | University of Missouri–Kansas City | eng |
dc.subject.lcc | Piano with string orchestra | |
dc.subject.other | Dissertation -- University of Missouri--Kansas City -- Music | |
dc.title | The Birth of the Eternal for String Orchestra, Piano and Percussion | eng |
dc.type | Thesis | eng |
dc.type | Musical score | eng |
thesis.degree.discipline | Music Composition (UMKC) | |
thesis.degree.grantor | University of Missouri--Kansas City | |
thesis.degree.level | Doctoral | |
thesis.degree.name | D.M.A. | |